A riotous genre-mashing good time.

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NIGHT OF THE LIVING TED

Teddy bears come to life—and they’re evil.

Lisa Marie loves both big words and the Create-a-Ted-a-Bear store. On Halloween, while shopping with her new older stepbrother, Vernon, she sees that Create-a-Ted has a sign declaring a new owner—and it’s giving away Halloween bears. They get an Elvis bear (original name: Bearvis; Lisa Marie’s new name: Elvis Grizzly) for her Elvis-loving father; Lisa Marie makes a cute witch bear; Vernon—too cool for bears but pressured to make one—tosses together as many ghastly accessories as he can (a decision that will come back to haunt him). On Halloween night, the bears come to life, magically endowed with the abilities and powers of their personae. The witch bear and Vernon’s monstrosity start looting the town and causing all kinds of mayhem—including changing people into animals. Decisive Lisa Marie, with the help of Vernon (when he’s not fainting) and the heroic Elvis Grizzly, must find a way to stop the sinister stuffed menace, which escalates under the leadership of Vernon’s bear. The humor—apart from the zany setup—ranges from potty jokes (both innocent and gross-out) to tongue-in-cheek quips and a generous helping of puns. The ending doesn’t quite restore the status quo (but leaves a bully hanging in a funny way), promising the story will continue. The human characters are illustrated as white.

A riotous genre-mashing good time. (Fantasy. 8-12)

Pub Date: May 19, 2020

ISBN: 978-0-593-17428-9

Page Count: 192

Publisher: Delacorte

Review Posted Online: Feb. 26, 2020

Kirkus Reviews Issue: March 15, 2020

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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Well-crafted, accessible, and essential.

WE HAD TO BE BRAVE

ESCAPING THE NAZIS ON THE KINDERTRANSPORT

A vital collection of vignettes from the Kindertransport, the World War II rescue effort that brought about 10,000 child refugees from Nazi-controlled countries into Britain.

Years before the Nazis ramped up to genocide, the anti-Semitic laws of the Third Reich convinced some parents that their children were unsafe. Emigration, however, was quite difficult. Even for those prepared to move somewhere they didn’t speak the language, it was shockingly difficult to get a visa. England and the United States had strict immigration quotas. Nevertheless, refugee advocates and the British Home Office hatched a plan to bring child refugees into Britain and settle them with foster families. (A similar attempt in the U.S. died in Congress.) The voices of myriad Kindertransport survivors are used to tell of this harrowing time, recalling in oral histories and published and unpublished memoirs their prewar lives, the journey, their foster families. Sidebars provide more resources about the people in each section; it’s startlingly powerful to read a survivor’s story and then go to a YouTube video or BBC recording featuring that same survivor, speaking as an adult or recorded as a child more than 80 years ago. Historical context, personal stories, and letters are seamlessly integrated in this history of frightened refugee children in a new land and their brave parents’ making “the heart-wrenching decision” to send their children away with strangers to a foreign country.

Well-crafted, accessible, and essential. (timeline, glossary, resources, index, bibliography) (Nonfiction. 10-14)

Pub Date: Feb. 4, 2020

ISBN: 978-1-338-25572-0

Page Count: 368

Publisher: Scholastic Focus

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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