by Barry Lopez ‧ RELEASE DATE: Sept. 16, 1994
In this extraordinary collection, the final installment of a trilogy begun with Desert Notes (1976) and River Notes (1979), National Book Award winner Lopez (for Arctic Dreams, 1986) continues to use nature to teach us about ourselves. Each of the 12 stories in this slim volume creates a mystical world from everyday lives, depicting men and women coming up against situations with which they find themselves surprisingly unequipped to deal. As each character struggles to cope with predicaments that range from failing professions to disintegrating families to death, guidance comes from nature: the song of a wren that leads a man lost in the desert to water (``Introduction: Within Birds' Hearing''); the wildflowers that lead an estranged botanist back to his wife and daughter (``Homecoming''). Often a story revolves around a protagonist learning to let go of convention in order to hear nature. This listening can be approached directly, as when an old friend tries to convince the head of the US Fish and Wildlife Service to recognize that ``our biology is unraveling in a holocaust of extinct species'' and declare the ferruginous hawk an endangered species (``Conversation''). But Lopez does an even better job of illuminating the wisdom of nature when he offers ways of listening that are more like dreaming. For example, a wildlife biologist studying an arctic oasis learns the sorrow of modern animals when he discovers a land where only the souls of those killed properly (when the hunter prays after the kill) can come to search for new bodies (``Pearyland''), and a pack of wolverines teach an Alberta hunter why they don't want to be trapped (``Lessons from the Wolverine''). Through it all, Lopez's prose reads like poetry. His short, simple, and profound tales convey a deep respect for the environment and for the beauty of relationships, knowledge, language, and love. Haunting, seductive, and sensual.
Pub Date: Sept. 16, 1994
ISBN: 0-679-43453-4
Page Count: 176
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Barry Lopez ; illustrated by Barry Moser
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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