MANGAMAN

A daring piece of graphic-novel meta-fiction explores the tropes of manga versus Western comics.

Marissa is a stereotypical popular high-school girl: pretty, well-liked and girlfriend of Chaz, the hottest guy in school. But when she first lays eyes on Ryoko, a manga character who travels through “the Rip” into her world, she abandons the formulaic constraints that defined her. Ryoko helps Marissa see that her world, though very different than his, is still boxed in by panels, and that, like him, she is a character in another universe. Even as he plays with literary inventiveness, Lyga keeps the story accessible with the doomed and forbidden love between Marissa and Ryoko. Those familiar with both Western and Japanese comics will delight at the little nods to the respective conceits in those formats. For example, when Ryoko slams a volleyball in gym class, a fellow classmate exclaims, “Watch your speed lines!” In complement to Lyga’s clever meta tone is Doran’s highly stylized black-and-white art, seamlessly melding both the Western and Japanese comics aesthetics. While the innovation runs high in this tale, the story itself and the nuances of the character’s relationships is less agile, though the energetic creativity behind it easily keeps the lesser aspects afloat.

An inventive offering, sure to please fans of both American and Japanese comics. (Graphic fiction. 13 & up)

Pub Date: Nov. 14, 2011

ISBN: 978-0-547-42315-9

Page Count: 144

Publisher: Houghton Mifflin

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A rush of emotion and suspense.

THE FIRST TO DIE AT THE END

Crowds gather across the United States for the launch of Death-Cast, a company that promises to change the world by predicting the deaths of everyone who subscribes in this prequel to They Both Die at the End (2017).

Orion Pagan, an aspiring author with a heart condition, hopes his phone won’t ring at midnight, but he knows Death-Cast’s call is coming soon. Unlike Orion, Valentino Prince, a model on the verge of his national debut, has no reason to anticipate Death-Cast’s call and isn’t sure if he believes the company’s claims. By coincidence or fate, their lives collide at a party in Times Square, and a single, historic phone call alters the courses of their futures. This heart-pounding story follows the final day of the first Decker, or person who is going to die, and the national chaos of Death-Cast’s premiere. Silvera crafts a web of intricately interconnected character perspectives and conflicts around Orion and Valentino. Apart from Valentino and his twin sister, who are presumed White, most of the characters are Latine, including White-passing Orion, whose family is Puerto Rican. The story confronts heavy topics like grief, abuse, and religious faith with complexity and care. Despite the presumed inevitability of a fatal end to the central romance between Orion and Valentino, Silvera subverts the trope of punishing gay characters with violent tragedy. Familiarity with the original book provides additional context and depth but isn’t essential to understanding the plot.

A rush of emotion and suspense. (Speculative fiction. 13-18)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-324080-3

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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