by Barry McCrea ‧ RELEASE DATE: June 6, 2005
Rich in ideas and true to the real world: a promising debut.
Young Irish newcomer McCrea works Joyce’s territory with Beckettian irony—and a healthy splash of Patrick White.
Niall Lenihan has come up to Dublin to do his studies at Trinity. He’s not exactly a bumpkin, just a boy fresh off a crush on a boy who is now off to the continent, ignoring his cellphone calls and text messages. These little techno-accouterments are important to McCrea’s story, the stuff of subtext and context; via text messages, Niall begs off beery meetings with his college chums to visit what was “for a long time Dublin’s only gay pub and still the unrivaled center of Dublin’s homosexual world” and suchlike places, where his horizons and circle of acquaintances most definitely expand. So do they when, inspired by a shadowy figure with a wondrously improbable name, Niall and school friends are drawn into a literary game inspired by the old Roman sortes virgilianae, by which the answers to life’s questions are to be located among the lines of the Aeneid. Niall’s texts are broader, including novels, poems and even travel guides; naturally, Joyce turns up early on, convincing Niall of the merits of the game: when he challenges pal Fionnuala to tell him where his parents live, she dusts off Ulysses to reply, “Oh damn you and your Paris fads . . . I want Sandycove milk.” You don’t have to be Irish—or gay—to follow the twists of McCrea’s plot, though it might help at points to have read Maeve Binchy, to know what an “RTÉ accent” sounds like, and to have some sense of the layout of Dublin and, later, Paris, where Niall’s bibliomanic fortunes take him far from Sandycove, to spend his hours “being led to an apartment block where the initial letters of the names on the bells formed an acrostic of ‘Sarah’ . . . or ending up in conversation with a drunk Irish gay man in the Marais called John.”
Rich in ideas and true to the real world: a promising debut.Pub Date: June 6, 2005
ISBN: 0-7867-1513-8
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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