A sweetly spooky tribute to reading and bookshops.
A boy learns to love reading—with help from a most unusual bookseller.
Henry isn’t a book lover. But when he helpfully returns a dropped key to Griselda Snook in time for her bookstore’s opening, she invites him in. She puts out a plate of doughnuts, but the plate quickly runs off. Henry chases it to the cookbook section, where he bumps into a Frankenstein’s monster in search of a joke book. Griselda makes a suggestion, which Henry tracks down. Together, the two find “exciting,” “noisy,” and “spook-tacularly silly” offerings for a bevy of ghoulish customers, among them a werewolf, a mummy, ghosts, and a skeleton. But Henry still hasn’t found a book for himself. When a volume falls off the shelf and unleashes a dragon, Henry searches for a spell to tame it—to no avail. A witch named Magenta Screech arrives to put things right, tells the bookstore patrons a series of scary stories, and finally hands Henry the perfect tale. The story is slight—and it’s never made clear just what makes Magenta’s suggestion the ideal offering—but the spooky setting is bewitching, and the sentiments are unimpeachable. Wiry linework and a matte black-and-orange color scheme make the Halloween theme clear, while the assorted monsters are clearly delighted to be here; details will tempt viewers to linger in this bookstore. Henry and Griselda are brown-skinned, while Magenta is pale-skinned; human characters are diverse.
A sweetly spooky tribute to reading and bookshops. (Picture book. 4-8)Pub Date: July 2, 2024
ISBN: 9781664300460
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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