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THE MIDNIGHT PARTNER

Ultra-busy exposÇ of lurid goings-on in suburbia, from the author of Blind Prophet (1983), as well as several paperback suspense novels. When Jack Murphy takes a fatal dive into his drained Long Island swimming pool, Phillie Liebowitz, his screenwriting partner, doesn't believe it was a suicide. (After all, womanizing Jack had just had hair implants.) So Phillie does some detective work. He raids Jack's computer and finds musings like ``Sex dominates my life.'' He also lunches with racy Judy, one of Jack's former lovers, who produces more heavy-breathing scribblings, these detailing Jack's passionate attachment to an S&M ``family.'' But then Judy is brutally murdered, and Phillie's a prime suspect. Dogged in his effort to get inside Jack's life, Phillie goes to Manhattan's Whips and Chains club and spends a night of bliss whipping a pert paid escort named Cee, who knew Jack. Cee gives Phillie clues that help him discover the nefarious plot that drove his partner to suicide. After a Madison Square Garden showdown in which Phillie runs over some second-string bad guys with a Zamboni, he limps home to Long Island to discover that the real villain is holding his family hostage. More than a simple whodunit, Davis's first attempt at noncategory fiction is a tawdry field-day of would-be-titillating mayhem. Sensationalist embellishments and subplots include a night out with a benevolent biker gang, multiple attacks on Phillie's life, a videotape with a deadly secret, a false HIV diagnosis, a multimillion-dollar will with anti-suicide provisions, Phillie's constant agonizing over his troubled relationship with his unfaithful wife, and a 15-minute session with a psychiatrist in which our hero gets to the roots of middle-aged angst. Davis actually has an earnest intentionto contrast the lure of life on the wild side with the rewards of long-term marriagebut this inquiry gets drowned out by the cacophonous clanks of unoiled plot machinery. (First printing of 30,000; Literary Guild alternate selection)

Pub Date: July 17, 1995

ISBN: 0-553-09690-7

Page Count: 336

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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