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THE CUT OUT GIRL

A STORY OF WAR AND FAMILY, LOST AND FOUND

A complex and uplifting tale.

A professor’s story of how he found and befriended an estranged member of his extended family, a Jewish woman his grandparents had adopted during World War II.

When van Es (English Literature/Univ. of Oxford; Shakespeare’s Comedies: A Very Short Introduction, 2016, etc.) returned to his native Holland to meet Lien, an elderly Jewish woman, he knew only that she had grown up with his father as an adopted sister. Later—and very mysteriously—she had received a letter from the author’s grandmother severing all connection to the family. Through correspondence and interviews, van Es learned that Lien’s mother sent her daughter to live among Christians willing to protect her from the Nazis. For a year and a half, she lived quietly, missing the parents she never saw again but loving her adopted family. When the van Es home was raided by local Dutch authorities, Lien fled. For more than a year, she moved from hiding place to hiding place, focused solely on surviving. Eventually, she made her way to central Holland, where she spent the next year living with the stern Van Laar family and getting raped by the brother of her adopted father. When she returned to the van Es family in 1945, she had become a brooding teenager. She appeared to grow out of her unhappiness, training first to become a social worker, and then marrying and having children. Yet her “perfect” life did not stop her from later trying to commit suicide. The author’s grandmother saw her behavior as selfish and put what would become a permanent distance between them. Unlike his grandmother, van Es saw that the trauma Lien endured had made her feel cut off from herself and Jewish heritage, like a “cut out” figure in someone else’s culture and life. Compassionate and thoughtfully rendered, the book is both a memorable portrait of a remarkable woman and a testament to the healing power of understanding.

A complex and uplifting tale.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-2224-3

Page Count: 304

Publisher: Penguin Press

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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