A jolting but thoughtful drama.
In Jackson’s novel, a struggling artist, upon learning her estranged sister is missing, returns to her childhood home and uncovers long-buried secrets.
In 2019, 35-year-old Cate Finley has a toughness that’s led her friend Levi Saaga to nickname her “Tiger Cate.” She needs a wild cat’s strength because her life presents significant challenges. She lives in a 1978 camper truck, which she calls “Max,” on the streets of Los Angeles. She paints murals on the sides of buildings; it’s sometimes dangerous work that results in skimpy paychecks. Cate still grieves her parents who died in a plane crash, and she left the Arizona horse ranch of her childhood on bad terms with her 50-year-old sister, Margaret. Cate’s son was taken away by his wealthy father, a physically abusive man. The one bright spot is her friend Levi, an apparently unhoused IT technician working to bring his mom to L.A. from Samoa. When Cate receives mysterious texts about her sister’s disappearance, she journeys back home to Arizona, where the ranch her sister ran is now controlled by Estelle Parker, a stranger claiming to be a cousin. The newcomer has a mysterious hold over the ranch’s employees and reveals a plan to sell the land to developers. Jackson keeps excitement levels high right from the start; in the opening pages, Cate dangles from scaffolding 100 feet above the ground before the story flashes back. The steady drip of revelations about Margaret, Cate’s parents, Estelle, Levi, and others makes for enough material to power an entire soap opera season. However, Jackson effectively keeps the story from being melodramatic with fast pacing and well-developed characters. The author strategically spaces out surprises throughout the book and balances them with quieter scenes of interiority, such as Cate painting. The characters are mostly flawed but likable, and even the worst villains are given context for their actions.
A jolting but thoughtful drama.Pub Date: Dec. 23, 2023
ISBN: 9798988298014
Page Count: 374
Publisher: Self
Review Posted Online: March 21, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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