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MAD & BAD

REAL HEROINES OF THE REGENCY

A disjointed work that adds little to our understanding of the Regency period.

A pop-history look at England’s Regency era, a time period popular in the romance genre.

Koch is one of the owners of the Ripped Bodice, a Los Angeles–area bookstore “dedicated to romance.” In her debut book, the author examines the Regency (1811-1820), when George III’s illness rendered him unfit to rule and his son was installed as Prince Regent. After a cursory introduction to George III, Koch launches into stories of women who lived before, during, or after the Regency period. The author cannot explain the importance of the Regency period, however: “Ten short years in the grand scheme of history….What about the Regency continues to draw us in? I wish I had an answer (I would make millions of dollars).” Her lack of clarity about the Regency’s relevance makes the text rambling and unfocused. Koch organizes brief biographical sketches into chapters according to women’s relationships to men, to their interests, or to their own identities. Although the author notes that men controlled the historical narrative, she does little to examine how that negatively influenced the record of women in history. Much of the book features gossipy retellings of women’s lives during the period and how they were connected—or not. Several times, Koch cites fictionalized dialogue from films to support her claims. In a chapter on historical accuracy, Koch focuses on the lives of Mary Seacole and Dido Elizabeth Belle, two black women, to showcase the rich diversity present in London during the 19th century. However, the author inexplicably ends the chapter with the story of Princess Caraboo, a character created as an elaborate scam by a white woman named Mary Baker. Koch is unconvincing in her argument that Baker “shows us that everything we and her contemporaries think and thought about nineteenth-century women barely scratches the surface of the truth.”

A disjointed work that adds little to our understanding of the Regency period. (b/w illustrations)

Pub Date: June 9, 2020

ISBN: 978-1-5387-0101-0

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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