Gordons memoir fails to convey the passion and excitement of her extraordinary life. As the only daughter of world-famous Russian pianist Leo Sirota, from a young age Gordon was launched on a brilliant cosmopolitan trajectory. Her earliest experiences of Europe's reigning cities and a flashing cultural elite promised the girl a heady future. According to her, however, the most important aspect of Gordon's youth was her extensive expatriate stint in Japan, where her family fled shortly before WW II, alarmed by mounting European anti-Semitism. Although she left for the US during the war, Gordon returned to Japan once WW II had ended, working as a civilian in General MacArthur's Tokyo office and assisting with the writing of the Japanese constitution, which laid the framework for postwar life in that nation. She was mandated to research and draw up the part of the constitution which altered the status of women in a society where, until then, none had ever enjoyed a bona fide legal status. The constitution also ensured education for all people in a country that in some respects remained fundamentally feudal. Gordon ably conveys the historic significance of her undertaking, while giving short shrift to personal insights. Her style hides the writer from us, muffling the excitements of her intercontinental, multi-lingual rovings. The book is also hampered by Gordon's disconcerting decision to tilt forward and backward in time, creating an uncomfortable distance between the then and the now of her story. When she took up residence in New York in 1947, Gordon by no means abandoned her unusual cultural expertise and training. Instead, she assumed a leading role in bringing the arts of Asia to an American audience and traveled, consorting with emperors, gurus, and koto players. Too bad her tale largely fails to take leave of the page. (36 b&w photos, not seen)
Pub Date: March 1, 1998
ISBN: 4-7700-2145-3
Page Count: 224
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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