While that’s disappointing, fans of romance and those looking to diversify their shelves may be willing to forgive its...
Tired of crushing with no kisses, 17-year-old Molly decides to take a chance on love.
Molly has always felt inferior to her fraternal twin, Cassie: though both are white, Molly is brown-haired, brown-eyed, and fat in contrast to Cassie’s blonde slenderness. But Molly doesn’t hate her body—she’s just afraid other people do. The combination of these feelings of inadequacy with ordinary teen awkwardness is a recipe for uneasy interactions with boys. Molly’s 26 crushes have all been unrequited—but have they, really? When Cassie falls in love for the first time, and two eligible possibilities present themselves, Molly decides to risk rejection. Against the backdrop of the legalization of gay marriage in the U.S. and the planning of her moms’ subsequent nuptials, Molly struggles between choosing the boy she actually likes and the one who seems ideal. Themes of body image, rejection, first love, and the evolution of familial relationships—particularly between sisters—loom large. Molly is the queen of teen angst, and her voice may grate on readers. The cast is wonderfully diverse (family, sexual orientation, religion/culture, race, size, mental health), which is why it’s so sad that, though well-drawn, the characters are hard to connect with.
While that’s disappointing, fans of romance and those looking to diversify their shelves may be willing to forgive its foibles. (Fiction. 14-17)Pub Date: April 11, 2017
ISBN: 978-0-06-234870-8
Page Count: 352
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
An emotionally engaging closer that fumbles in its final moments.
Lara Jean prepares for college and a wedding.
Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.
An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)Pub Date: May 2, 2017
ISBN: 978-1-4814-3048-7
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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BOOK TO SCREEN
Several yards short of a touchdown.
A transgender boy starting over at a new school falls hard for a popular cheerleader with a reputation to protect in this debut.
On the first day of senior year, transgender boy Pony locks eyes with cisgender cheerleader Georgia. They both have pasts they want to leave behind. No one at Hillcrest High knows that Pony is transgender, and he intends to keep it that way. Georgia’s last boyfriend shook her trust in boys, and now she’s determined to forget him. As mutual attraction draws them together, Pony and Georgia must decide what they are willing to risk for a relationship. Pony’s best friend, Max, who is also transgender, disapproves of Pony’s choice to live stealth; this disagreement leads to serious conflict in their relationship. Meanwhile, Georgia and Pony behave as if Pony’s trans identity was a secret he was lying to her about rather than private information for him to share of his own volition. The characters only arrive at a hopeful resolution after Pony pays high physical and emotional prices. McSmith places repeated emphasis on the born-in-the-wrong-body narrative when the characters discuss trans identities. Whiteness is situated as the norm, and all main characters are white.
Several yards short of a touchdown. (Fiction. 14-17)Pub Date: May 26, 2020
ISBN: 978-0-06-294317-0
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
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