Another wry romp in the author/illustrator’s alternate fairyland, where justice is served to recalcitrant half-pints.

Waeland (The Three Bears and Goldilocks, 2022) fractures a second familiar fairy tale in this graphically crisp, wordless project.

As the inverted title telegraphs, twists await. A gray-haired witch in owlish red spectacles bakes sweets, a black cat nearby. After a woodcutter and two children reach the forest, Gretel and Hansel wander after a scuttling fox; a robin swiftly consumes Gretel’s scattered baguette crumbs. Discovering the witch’s delectably edible cottage, the pair—eyes popping like candy pinwheels—commence gobbling it, licking lollipops and chomping slabs of cookie siding. The witch invites them inside, and their boots dry beside the woodstove’s crackling fire. The rowdy duo devour a cherry-topped Black Forest cake, candies, fruit, and more—leaving a messy wake that includes an overturned cauldron and cat dish. The witch exacts revenge: A lightning bolt from a star-tipped wand reaches the fleeing Hansel, who is turned into a frog. The woodcutter searches for and tearfully reunites with the children—though the trio seem relatively unbothered by Hansel’s species switch. Meanwhile, the witch and the sleek cat enjoy refreshments, including a cookie with a sly resemblance to Gretel. Flat color and simple, bold shapes yield easily decoded visuals in this quirky, humorous tale. The woodcutter and children have brown skin; Hansel and the woodcutter sport black hair, while Gretel’s tresses match the witch’s flax-colored skin. (This book was reviewed digitally.)

Another wry romp in the author/illustrator’s alternate fairyland, where justice is served to recalcitrant half-pints. (Picture book. 3-5)

Pub Date: May 16, 2023

ISBN: 9781459833821

Page Count: 64

Publisher: Orca

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023


From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017


Superheroes, and readers, will live happily-ever-after.

Why have fairy tales lasted so long? Maybe it’s because they change with every teller.

It takes surprisingly little effort to turn the Three Little Pigs into superheroes. The Big Bad Wolf basically started out as a supervillain, with the ability to blow a house down, and the pigs had to perform spectacular feats to outwit him. In this picture book, the wolf, locked in the Happily Never After tower, devises a plot to escape. Using rotten eggs and spicy ginger, he creates the Gingerbread Man, who makes his way to a baking contest where the three pigs and other fairy-tale characters are competing to win the key to the city. The Gingerbread Man grabs the key, and not even superhero pigs are fast enough to catch him, but with their secret weapon—mustard (which one of the pigs also uses to bake cookies)—they save the day. The morals: Evil never triumphs, and mustard cookies are delicious. The book’s charm is in the details. There are splotches of mustard on the cookies featured on the endpapers, and a sly-looking mouse is hiding on many of the pages. The story even manages to include more than a dozen fairy-tale figures without seeming frenzied. Evans’ use of shading is so skillful that it almost seems possible to reach out and touch the characters. Most of the human characters are light-skinned. (This book was reviewed digitally.)

Superheroes, and readers, will live happily-ever-after. (Picture book. 3-5)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-68221-2

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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