Characters continually evolve and astonish in this exceptional supernatural tale.
In the second installment of Westbay’s (Revelations, 2018) fantasy series, an angel defies God and traverses multiple universes to save the mortal woman he loves.
Though angelic Alex Prescott knows that human Gwen Adams is not his destined soul mate, he has finally stopped denying his love for her. Unfortunately, it may be too late; someone has infected Gwen with a poison that’s slowly killing her. He believes her salvation is the Tree of Life, which can turn her immortal. But on the journey to the tree, Alex is unknowingly getting help from his and Gwen’s mutual friend, Jasper Mills, who initially hides from Alex that he’s a fellow angel. He partially heals Gwen, but he can’t completely cure her sickness. What Jasper truly wants is revenge against Alex, whom he blames for a transgression that happened long ago. Meanwhile, getting to the tree necessitates traveling through portals to other universes. Alex will need to find three gatekeepers, each with a key that can be obtained by fulfilling a quest or demand. Gwen, who knows Alex is an angel, isn’t certain that she can trust him. He had hurt her when he suddenly ignored Gwen after learning she was someone else’s soul mate. But the multiverse excursion is filled with surprises: Other angels enlighten Gwen about the histories of both Alex and Jasper, namely Alex’s former angelic love, Eva. While Alex is envious of Gwen and Jasper’s closeness (Jasper’s healing requires skin-to-skin contact), Gwen has reason to believe that Alex’s love for Eva continues to smolder after millennia. Westbay’s novel hums with sexual tension. Gwen, for one, is clearly attracted to Alex and Jasper, and Jasper exacerbates her conflict by openly flirting with her (primarily to upset Alex). These scenes showcase the author’s ability to illustrate sexual tension without forgoing subtlety: “Something inside me, something greedy and lustful, had clawed its way to the surface….It wanted the heat that sizzled off of him, and it wanted it now.” The three main characters are complex individuals; though the narrative calls back events from the preceding book, it also continues to develop the cast with convincing backstories. Nevertheless, Jasper is a standout. He’s done something villainous (from the earlier installment, though it’s not the poisoning), but as the story progresses, he develops new feelings: guilt over his deed and genuine compassion for Gwen. At the same time, Gwen and Alex occasionally appear fickle, each of them endlessly going back and forth on whether they want to be together. There is, however, a later twist that, at least in part, explains their emotional discord. The final act entails a few other twists as well, all of which hold water, even if they’re sometimes predictable. There’s also copious suspense (Gwen’s in perpetual jeopardy), including encounters with creatures in other universes and one particularly dangerous quest. This book, like the first installment, ends with a sensational cliffhanger that may prompt readers to add Volume 3 to their reading lists.
Characters continually evolve and astonish in this exceptional supernatural tale.Pub Date: Sept. 19, 2018
ISBN: N/A
Page Count: 339
Publisher: Time Tunnel Media
Review Posted Online: Aug. 28, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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