A splendidly conceived saga weaving the history of an entire culture into the portrait of one family: vivid, compelling,...
A kaleidoscopic debut by Anglo-Indian Le Hunte about several generations of an Indian family through the 20th century and across several continents.
Aakash was the son of a well-to-do family in a small village near the Himalayas who at an early age became known for his powers of healing; when he cured the hemophiliac son of a local maharaja, he was rewarded with a gift of land, which he turned into an “ayurvedic farm.” Although the farm prospered greatly and Aakash had two healthy children by his wife Jyoti Ma, he could never settle down to enjoy the life of a patriarch, and he eventually left his family to live in a distant ashram. His son Ram also grew up to be a wandering holy man, while his daughter Tulsi Devi was sent to a convent school where she was seduced by her math teacher and gave birth to a son (Jivan) out of wedlock. She later married a retired British Army officer and had a daughter (Rohini) by him. The sickly Jivan, who contracted polio as a small boy, was sent to a foster home to be raised by strangers, and Rohini grew up entirely ignorant of her half-brother. Years later, she would marry an Englishman and move to London, where she trained as a midwife, gave birth to a daughter (Saakshi), and became connected with the Spiritualist Church in Belgravia, where she attended regular séances to contact the spirit of her grandfather Aakash. The medium in charge of these séances stunned Rohini one day by confiding to her that her daughter Saakshi was going to give birth to an avatar, a reincarnation of Aakash’s spirit. Rohini has put much of her Indian traditions behind her. Can she really believe that her grandchild will, in fact, be her grandfather? Just think of the old Hindu totem of the serpent eating his own tail.
A splendidly conceived saga weaving the history of an entire culture into the portrait of one family: vivid, compelling, utterly fascinating.Pub Date: Jan. 1, 2003
ISBN: 0-06-052197-X
Page Count: 416
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.
The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.Pub Date: Feb. 1, 2001
ISBN: 0-670-89478-8
Page Count: 864
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
PERSPECTIVES
Novels such as this extensively researched and passionate polemic are not necessarily art, but, like Sinclair Lewis’ The...
A day at a Mississippi abortion clinic unfurls backward as a self-appointed avenging angel wreaks havoc.
Picoult’s latest takes the unusual tack of proceeding in reverse. At 5 p.m., the Center, Mississippi’s last remaining abortion clinic, is awash in blood as Hugh McElroy, a Jackson police negotiator, is still bargaining with George Goddard, the deranged gunman who has occupied the Center for hours. Five hostages have been released, two gravely wounded: Hugh’s sister, Bex, and Dr. Louie Ward, the Center’s surgeon (whom, according to her author’s note, Picoult based on the outspoken abortion provider Dr. Willie Parker). One person inside is dead, and Hugh is still waiting for word of his teenage daughter, Wren, who had gone to the Center for a prescription for birth control pills, accompanied by her aunt Bex. As the day moves backward, several voices represent a socio-economic cross-section of the South; a few are on the front lines of the anti-abortion vs. abortion-rights war—but most are merely seeking basic women’s health care. Olive, 68, is at the Center for a second opinion; Janine, an anti-abortion activist, is there to spy; Joy is seeking an abortion; and Izzy is pregnant and conflicted. George wants revenge—his daughter recently had an abortion. A third father-daughter story runs parallel to the hostage crisis: A teenager named Beth, hospitalized for severe bleeding, is being prosecuted for murder after having taken abortifacient drugs she'd ordered online at 16 weeks pregnant. At times, Picoult defaults to her habitual sentimentality, particularly in describing the ties that bind Hugh, Wren, and Bex. This novel is unflinching, however, in forcing readers to witness the gory consequences of a mass shooting, not to mention the graphic details of abortions at various stages of gestation and the draconian burdens states like Mississippi have placed on a supposed constitutional right. For Dr. Ward, an African-American, “the politics of abortion” have “so much in common with the politics of racism.” The Times Arrow– or Benjamin Button–like backward structure adds little except for those ironic tinges hindsight always provides.
Novels such as this extensively researched and passionate polemic are not necessarily art, but, like Sinclair Lewis’ The Jungle, they are necessary.Pub Date: Oct. 2, 2018
ISBN: 978-0-345-54498-8
Page Count: 384
Publisher: Ballantine
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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