Nothing too surprising, but the stories are pleasant and evocative.

WE’LL ALWAYS HAVE PARIS

STORIES

Never-before-published stories from the prolific—and increasingly nostalgic—author of classics such as Fahrenheit 451 and The Martian Chronicles.

In the introduction to this collection, Bradbury (Now and Forever, 2007, etc.) advises the reader to “enjoy” the stories rather than “think about them too much. Just try to love them as I love them,” and these are indeed stories for enjoyment rather than for existential agony. We find here the usual range: some stories are sci-fi right out of the 1950s, some are eerily edgy, and some are a bit dewy-eyed. In “Fly Away Home,” Bradbury revisits familiar territory, the colonization of Mars. After a six-month, 60-million-mile voyage on the First Rocket, the pioneers almost immediately feel alienated and alone on the harsh Red planet, but the team psychiatrist had anticipated this estrangement and arranged for a Second Rocket to arrive, one containing all the accoutrements of Main Street and its sentimental attachments to the home planet—the crew is even able to get pineapple malts at the Martian drugstore. In “Arrival and Departure,” one of Bradbury’s most poignant flights of fancy, an old couple finally escapes their dreary indoor life and exultingly drinks in the glories of spring only to discover by the end of the day that they’re much more comfortable in the circumscribed and lonely life they’ve been living in their house. In the amusing “A Literary Encounter,” Charlie takes on the persona of whatever literary work he happens to be reading at the moment. His wife Marie is not too pleased when Charlie’s reading the expansive Thomas Wolfe or the ultraformal Samuel Johnson, so she persuades him to get reacquainted with the ten romantic books he was absorbed in when he was courting her.

Nothing too surprising, but the stories are pleasant and evocative.

Pub Date: Feb. 1, 2009

ISBN: 978-0-06-167013-8

Page Count: 224

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Old-fashioned short fiction: honest, probing and moving.

A PERMANENT MEMBER OF THE FAMILY

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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