An epistolary novel filled with black humor and fleeting tenderness.
Hyper–self-aware young British writer writes novel about same. Add sex and drugs and stir.
One might not expect the fifth outing from indie author Brooks (born in 1992, in Gloucestershire, England) to be so eminently readable, but this U.K. bestseller proves to be the exception to the rule. Its protagonist, Jasper J. Wolf, imagines himself as a prettier Holden Caulfield, but the end game reveals that the self-reflective young writer is more along the lines of a John Hughes hero, albeit with volumes more narcotics. Jasper is in the midst of preparing for his A-level exams, leaving him loads of time to hang out with his mates, plot the downfall of his stepfather, stalk the extremely fit Georgia Treely and generally put his various organs where they don’t belong. There’s a timeless if caustic quality to Jasper’s minimalist rants: “Doing sex with a girl for over seven minutes is something to be proud of. Being British is not,” he laments. Whenever there aren’t girls to seduce or Ketamine to be snorted, he retreats to the company of lothario Jonah, rock god Ping, or his BFF Tenaya, the girl who is as likely to hit Jasper as comfort him. His adventures aren’t at all shocking, but there’s an unexpected humor even to the murkiest sequences. Jasper has sex with an unattractive girl at a party and is teased mercilessly for it, even as he worries about the girl’s possible pregnancy. The drug bits (of which there are many) are relatively unpretentious, even when it feels like its creator is playing at Irvine Welsh-level primitiveness. A surface read of this confessional invites comparisons to the transgressive teen drama Skins, but Brooks’ work (Fences, 2009, etc.) feels richer as it explores generational angst and the blue-black damage of adolescence.
An epistolary novel filled with black humor and fleeting tenderness.Pub Date: April 24, 2012
ISBN: 978-0-14-312109-1
Page Count: 272
Publisher: Penguin
Review Posted Online: April 4, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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