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SELLING BEN CHEEVER

BACK TO SQUARE ONE IN A SERVICE ECONOMY

An education in empathy as well as a reality check.

Putting down his pen and taking a series of jobs in the tag end of the service economy, novelist Cheever (Famous After Death, 1999, etc.) finds a host of sad and funny stories.

From the outset, the author makes it clear that his economic survival was never at stake; his wife, New York Times critic Janet Maslin, made (and makes) a good income. But he too wanted to earn a living and have a place to go in the morning; at the time (1995), his novels were selling poorly and his latest manuscript was not exactly being celebrated. So he wrote a proposal for a nonfiction book about downsizing while working at unskilled jobs—the only ones open to a writer with zero real-world qualifications. All of the work Cheever found incarnated the downward mobility that clutches at the belly of the white-collar salaryman: deli worker, security guard, Santa Claus, car dealer. Many of his fellow employees were people who had been fired, dusted themselves off, and climbed poor and vulnerable into the ring of the service sector. Although he brings a healthy dose of humor to his chronicle of job-hunting and job-holding, Cheever nonetheless offers a morality tale as impassioned as Barbara Ehrenreich’s Nickle and Dimed (p. 475). It comes as no surprise that he finds lots of nobility in the service ranks, plenty of grace under fire, unexpected artistry, and a measure of rage at CEO salaries; it’s also expected that the worker will be given the shabbiest of treatment in the service economy’s dystopia. What is surprising, and galling, is the everyday humiliation Cheever experiences at the hands of the customer. The boss may be slime, but on the other side of the counter likely stands someone who doesn’t even recognize your existence.

An education in empathy as well as a reality check.

Pub Date: Oct. 1, 2001

ISBN: 1-58234-158-3

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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