Haunting and beautiful.
As the sun sets and the moon rises, an unnamed young child says good night to everything in the natural landscape.
In the simple, brief, descriptive text the child calls out, “Lilah Tov,” to hens and roosters, bears and bats, beaches and waves, clouds and stars, fish and birds, mountains and streams. There is no other narrative, at least not in words. Naggan’s lush, detailed, soft-edged landscapes provide another, deeper, and more nuanced level to the proceedings. “Lilah tov” means “good night” in Hebrew, and there is a menorah on the windowsill, indicating that this family is Jewish. By dress and household appearance, they seem to be living in the late 19th or early 20th century. After a simple meal, they pack their belongings and leave their small rural home. The protagonist is saying good night to the creatures and places spotted on what readers will see as a lengthy journey. Beneath a full moon a man rows them across a body of water, and the journey continues on the other side. At the end of their travels there is a new home awaiting them. They travel quietly and surreptitiously, but there is no explanation within the text of where they are and why they leave. Are they refugees escaping something dreadful? Each young reader will interpret the work differently depending on individual understanding and knowledge of history, or perhaps with a wise adult to help.
Haunting and beautiful. (Picture book. 6-10)Pub Date: Feb. 18, 2020
ISBN: 978-1-5247-4066-5
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming contemporary story with a classic feel.
A 10 ¾-year-old girl weathers changes in her social circle—and her sense of self.
Dubbed “Queen of the Neighborhood” by beloved neighbor Mr. Chapman, who has sadly left Maryland for balmy Florida, Zara is apprehensive when a family with two kids moves into his house, potentially upsetting the delicate social balance. Readers familiar with Khan’s Zayd Saleem, Chasing the Dream books, set a few years after this series opener, will recognize the bustling Pakistani American Muslim household. Assertive, organized Zara and rambunctious 7-year-old Zayd live with their Mama and Baba; the siblings’ grandparents and uncle are integral parts of their daily lives. Zara and Zayd enjoy playing outside with their friends—Black sisters Jade and Gloria, White Alan, and Chinese American Melvin. Mr. Chapman always said that Zara knew how to “rule with grace and fairness,” but new arrivals Naomi and Michael, Jewish kids who are eager to engage socially, put this to the test. When Jamal Mamoo, Mama’s brother, brings over his Guinness World Records book, Zara decides that becoming a world-record holder is the boost her social status needs. Her humorous (and futile) attempts to make her mark ultimately lead her to being a more patient and understanding big sister and more flexible and supportive companion to friends old and new. Strong pacing, fluid prose, engaging hijinks, and heartwarming scenes of family life and outdoor play are complemented by expressive illustrations.
A charming contemporary story with a classic feel. (Fiction. 7-10)Pub Date: April 19, 2022
ISBN: 978-1-5344-9759-7
Page Count: 144
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
Although a little too wordy for younger listeners, this is one of the more attractive books on Islam’s origins.
The lowly spider is a strong hero in this traditional story about Muhammad.
During the Prophet's flight from Makkah (Mecca) to Madinah (Medina) on the journey called the Hijra (Hejira), he stopped in a cave with his follower, Abu Bakr, to escape his pursuers. As the story goes, birds (usually pigeons, but here called doves) nested outside the cave, and a spider wove a web to fool the tracker sent by Makkah’s leaders. The animals instinctively thought that their presence would cause the tracker to think that Muhammad couldn’t be inside. (In similar stories, spiders also save King David and the baby Jesus with their webs. The image of a tiny creature standing up against stronger forces unites disparate faiths.) An unobtrusive asterisk and plus sign are used when Muhammad and Abu Bakr’s names are mentioned to indicate that Muslims should say a blessing after the Prophet’s name and the name of his companion. This is explained on the inside cover, but the blessings are omitted. Black silhouettes are cleverly juxtaposed against intensely colored watercolors, working within the Muslim injunction against showing human images. A source note would have been helpful, placing the story within the context of Muhammad’s life.
Although a little too wordy for younger listeners, this is one of the more attractive books on Islam’s origins. (Picture book/religion. 6-9)Pub Date: July 1, 2012
ISBN: 978-0-86037-449-7
Page Count: 30
Publisher: Kube Publishing
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
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