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THE MAN WHO WALKED BACKWARD

AN AMERICAN DREAMER'S SEARCH FOR MEANING IN THE GREAT DEPRESSION

A minor-episode-in-history yarn that gets spun out a couple of dozen pages too long but that has legs all the same.

From the strange-but-true annals, a wild ride through the Depression era, one foot at a time.

Plennie Wingo (1895-1993) was an Abilene restaurateur who got on the wrong side of the revenuers by buying and selling bootleg alcohol during Prohibition. He wasn’t alone: By Montgomery’s (Grandma Gatewood’s Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail, 2014) account, half of the court cases in 1928 in Texas had to do with booze. Nor was he alone in seeing his finances crumble to dust in the stock market crash and ensuing yearslong financial downturn. But Wingo was nothing if not entrepreneurial, and he hit on an idea that was both fundraiser and protest—and, writes the author at an appropriately onrushing pace, “when a certain kind of man has a certain kind of idea, one that he considers good, that good idea takes hold of him and it swells behind his eyeballs and expands, balloon-like, so big that it crowds out all the other thoughts and ideas.” That idea was to walk across America, and maybe Europe, too, backward, selling postcards and other mementos of his madcap endeavor to support his family. It worked: Wingo remains in the record books, and he saw history unfold and had wondrous and sometimes fraught experiences (“he had barely made it through the gate of a fortified village at the foot of the ancient Bohemian castle when he noticed that the peasants seemed like they wanted to kill him”). There’s a feel at times that Montgomery is bewitched by the open spaces; his many-paged reverie on the Great Plains and their Indigenous inhabitants (“the Indians submitted and the buffalo rotted and the plains sat empty”) seems as if it really belongs in another book. Still, following Wingo’s travels makes for a pleasing enough read.

A minor-episode-in-history yarn that gets spun out a couple of dozen pages too long but that has legs all the same.

Pub Date: Sept. 18, 2018

ISBN: 978-0-316-43806-3

Page Count: 304

Publisher: Little, Brown

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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