It's agreeable enough, but Schott is no Wodehouse.
A second Jeeves novel authorized by the Wodehouse estate.
What humorless monster doesn’t love the Jeeves books? These confections feature the English aristocrat Bertie Wooster getting himself into the soup and Jeeves, his “gentleman’s gentleman,” fishing him out again. In a typical story, Bertie gets engaged to the wrong girl, offends a muscular and irascible gentleman, attempts to extricate a pal from a jam, steals a policeman’s helmet or a piece of antique silver as ugly as it is valuable, runs afoul of a stern aunt, and insists on wearing an objectionable garment, and then, with a modest flick of the wrist, Jeeves sets everything right again. Only 11 Jeeves novels and a few dozen short stories are what Bertie might have called the genuine article—written by P.G. Wodehouse himself—but the estate has authorized Schott to expand the canon, and this is his second outing. True to form, Schott’s Bertie spends his time dodging undesirable would-be fiancees, arriving late to meals with Aunt Agatha, masquerading as a clergyman, and climbing the walls of Cambridge University buildings while Jeeves manipulates everything and everyone toward a happy resolution. The greatest pleasure of Wodehouse’s Jeeves books lay in his wordplay: the delicious contrast between Bertie’s breezy Jazz Age slang and Jeeves’ precise formality. Wodehouse’s Jeeves knows more than you do about pretty much everything, but he never needs to show off; it’s part of Wodehouse’s genius to make the reader feel smart. Schott, alas, does the opposite. Unlike Jeeves, who appears at the narrator’s elbow to supply the mot juste exactly—and only—when it’s needed, Schott opens his reference library and shakes it upside down over the text. Schott inserted an element of espionage into his first Jeeves novel, and he continues it here, raising the stakes slightly, which may or may not be what readers want from a Jeeves novel.
It's agreeable enough, but Schott is no Wodehouse.Pub Date: Oct. 13, 2020
ISBN: 978-0-316-54104-6
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
A touching ode to the people who make life worth living.
A sinking man relies on unexpected friends to stay afloat.
Professional obituary writer Bud Stanley is a divorcé coasting through life in Brooklyn. He discovered his wife was cheating on him when she accidentally sent him a text message meant for her lover. At work, he’s uninspired, unable to muster the interest in writing about the recently deceased. After a particularly bad blind date, he drinks to excess and comes up with a bold, ill-advised idea. He writes and semi-accidentally publishes his own obituary and is summarily suspended from work, but not before his mentor suggests that he’s unfit for his career: “‘You are an obituary writer who does not understand the first thing about life. Wake up,’” his boss pleads. It’s from here that Kenney’s touching, provocative novel takes off. During this time of suspension-induced depression and malaise, Bud relies heavily on his landlord, downstairs neighbor, and best friend, Tim Warren, who is paraplegic. While at a funeral for Bud’s former mother-in-law, the duo meets Clara, a free spirit who quit her high-paying corporate job after missing her own father’s death because of a meeting. Together, the three start going to funerals for people they don’t know and have late-night discussions about life and death over wine. As Bud and Tim spend more time with Clara, each member of this unexpected triangle illuminates for the others the things that make life so rich. Bud comes to terms with his mother’s death in a way he repressed for many, many years, while Tim begins to reveal how heavy of a toll his near-fatal accident and subsequent disability took on him. Through these death-related accoutrements—funerals, wakes, and obituaries—Bud begins to reckon with his purpose on this planet. Kenney doesn’t propose any sort of clean answer, but alludes to the idea that life’s richness comes from spending time with people you love, and that those relationships are built on mutual respect, truth, and love.
A touching ode to the people who make life worth living.Pub Date: April 1, 2025
ISBN: 9798989923014
Page Count: 272
Publisher: Zibby Books
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
A smart and engaging literary thriller that bears down too hard on its themes.
At the home of an eccentric millionaire, a woman discovers out-of-the-ordinary events.
When her husband is invited to finish writing his book at the island home of a reclusive millionaire, Anna is relieved: If he sells it, they’ll be able to keep their Bronx apartment and she won’t have to go back to work at the laundry. It’s 1918, and Charles Fort—based on a real-life figure—is hard at work on a book about unexplained phenomena, such as objects falling from a clear sky: frogs, for example, or even bits of flesh, or blood. If Anna has doubts about the legitimacy of his research, she keeps them to herself. In any case, when the millionaire Claude Arkel offers the couple a place to stay for the winter, they eagerly accept. Almost immediately, though, things seem to be off. Arkel runs a school for wayward girls, and three students are missing. Meanwhile, there’s no sign of Arkel himself, and with the Spanish flu raging in the outside world, the Forts are stuck in quarantine. Bakis’ latest novel has the pacing and suspense of a smart literary thriller: It’s almost impossible to put down once you’ve started it. But Bakis can be heavy-handed in her treatment of the themes that undergird her story—in this case, women who support ambitious men. That’s not to say Bakis’ case doesn’t hold water, but she strikes the same note again and again in a way that is more repetitive than satisfying. So, for example, when the Forts first arrive on Arkel’s island, and Charles observes that the grand house is “modeled on the Château de Chambord in the Val de Loire” and Anna responds, “I know, I’m the one who showed you the article,” the mansplaining moment isn’t nearly as funny as it was apparently intended to be; it's just frustrating, in a teeth-grinding way.
A smart and engaging literary thriller that bears down too hard on its themes.Pub Date: Feb. 20, 2024
ISBN: 9781324093534
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
PERSPECTIVES
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