 
                            by Ben Watt ‧ RELEASE DATE: April 1, 1997
Down for the count in his prime, now back on tour minus most of his small intestine and much of his body weight, a remarkably centered rock singer/songwriter chronicles his affliction with restraint and wry pluck in unbuttoned, conversational British. After months in the hospital, the ultimate diagnosis—of an extremely rare autoimmune syndrome that ravages blood vessels and leads to critical organ damage—matters less than Watt's experience of the ordeal and its strength-conferring lesson: ``I felt I had the scoop on life and death and everyone else was still running around after it.'' Pain was unremitting—from the disease, the tests, the surgeries, the treatments and inevitable side effects, the lines and the tubes and the needles that antagonized his sluggish veins. Pleasure was the luxury of a piss without the catheter, the tremendous contentment of a shower. Watt observed his acculturation to hospitalism: One day while vomiting radioactive orange juice after a scan, ``the invisible thread that had been tying me to home . . . had slackened. I became interested only in making things bearable for the next twenty minutes''; and elsewhere, with typical compression, ``weather is for other people.'' When there was room in the isolation of Watt's crucible, Tracey—the female half of his band and his household—faithfully anchored him. Watt emerged from the worst of his affliction with a more resonant singing voice, a new face in the mirror (which he regarded respectfully, ``impressed by the patience I saw there''), and a drastically foreshortened gut still prone to ``lock up'' every few weeks despite his adherence to a bizarre diet enhanced by steroids and immunosuppressants. In conclusion, ``It doesn't do to dwell on my bad luck . . . but it takes time to round it into the good times.'' Time plus the wisdom acquired in extremis and leavened by native aplomb. In both its graphic and reflective modes, this is resilient, just-so reporting. (Author tour)
Pub Date: April 1, 1997
ISBN: 0-8021-1612-4
Page Count: 192
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
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                            by Clint Hill ; Lisa McCubbin ‧ RELEASE DATE: Nov. 19, 2013
Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.
Jackie Kennedy's secret service agent Hill and co-author McCubbin team up for a follow-up to Mrs. Kennedy and Me (2012) in this well-illustrated narrative of those five days 50 years ago when President John F. Kennedy was assassinated.
Since Hill was part of the secret service detail assigned to protect the president and his wife, his firsthand account of those days is unique. The chronological approach, beginning before the presidential party even left the nation's capital on Nov. 21, shows Kennedy promoting his “New Frontier” policy and how he was received by Texans in San Antonio, Houston and Fort Worth before his arrival in Dallas. A crowd of more than 8,000 greeted him in Houston, and thousands more waited until 11 p.m. to greet the president at his stop in Fort Worth. Photographs highlight the enthusiasm of those who came to the airports and the routes the motorcades followed on that first day. At the Houston Coliseum, Kennedy addressed the leaders who were building NASA for the planned moon landing he had initiated. Hostile ads and flyers circulated in Dallas, but the president and his wife stopped their motorcade to respond to schoolchildren who held up a banner asking the president to stop and shake their hands. Hill recounts how, after Lee Harvey Oswald fired his fatal shots, he jumped onto the back of the presidential limousine. He was present at Parkland Hospital, where the president was declared dead, and on the plane when Lyndon Johnson was sworn in. Hill also reports the funeral procession and the ceremony in Arlington National Cemetery. “[Kennedy] would have not wanted his legacy, fifty years later, to be a debate about the details of his death,” writes the author. “Rather, he would want people to focus on the values and ideals in which he so passionately believed.”
Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.Pub Date: Nov. 19, 2013
ISBN: 978-1-4767-3149-0
Page Count: 256
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 20, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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SEEN & HEARD
 
                            by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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