A thoughtful, sensitively wrought memoir.
A British singer-songwriter’s keenly observed memoir about growing up with his talented but mismatched parents and looking after them in their old age.
Before he became their caretaker, Everything But the Girl co-founder Watt (Patient: The True Story of a Rare Illness, 1997) thought he knew his parents. The daughter of a Methodist parson, his colorful, part-gypsy mother, Romany, had been an up-and-coming Shakespearian actress before pregnancy and early marriage stopped her career “[dead] in its tracks.” Romany’s second husband, Watt’s working-class father Tom, had been a gifted and sought-after jazz artist. With the advent of rock ’n’ roll in the 1950s, however, the big bands that had been Tom’s passion disappeared. Unwilling to embrace the pop-music sound, the elder Watt’s career fell off. He finally gave up music altogether in the 1970s to become a house painter. Romany, in the meantime, stumbled into a second career as a showbiz feature writer for newspapers and magazines. While Tom languished in his own despair, she assumed the role of family breadwinner. The at-times violent clashes that erupted between these two strong personalities became the painful background to Watt’s adolescence. Ironically, the pop music that the elder Watt rejected became the bedrock of his son’s own internationally successful career as a musician. The beginning of Tom and Romany’s physical and mental decline in the early 2000s brought with it burdens that took a heavy toll on Watt and eventually caused him to have a breakdown. He found partial healing by immersing himself in family artifacts, including private documents that recounted the destructively passionate affair that had set Tom and Romany on a collision course. The author’s new perspective finally allowed him to see his parents for what they were: “ordinary people” shaped by experiences that he would neither fully know nor understand.
A thoughtful, sensitively wrought memoir.Pub Date: July 1, 2014
ISBN: 978-1-62040-372-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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