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THE RED MAN'S BONES

GEORGE CATLIN, ARTIST AND SHOWMAN

Eisler’s fine, thorough work begs for a fresh reappraisal of this pioneering artist.

A welcome new evaluation of a significant American artist honed by the Wild West spirit and hucksterism of the age.

Biographer of Byron, Chopin, George Sand and others (Naked in the Marketplace: The Lives of George Sand, 2007, etc.), Eisler now turns her considerable research talents to fleshing out the life and work of Pennsylvania-born artist George Catlin (1796–1892), whose sympathetic portraits of the Native Americans he sought out and lived among render an incalculable record of (and tribute to) a vanished people. Trained as a lawyer, Catlin fled the tediousness and drudgery of the profession by immersing himself in drawing, specifically miniatures. Largely self-taught, he nonetheless had some formal training at the Pennsylvania Academy of the Fine Arts in Philadelphia in the early 1820s, under Thomas Sully and Charles Willson Peale, and he made his way as a journeyman artist. His portraits of Gov. DeWitt Clinton garnered some attention, but he was always in need of official patronage. Perhaps inspired by Charles Bird King’s portraits of tribal leaders in Washington, Catlin struck out West and attached himself to Gen. William Clark, governor of the Missouri Territory. Portraying the Indians of the Southwestern plains became Catlin’s passion, and during the 1830s, over numerous visits embedded among the tribes, he painted hundreds of careful portraits; he often bought the Indians’ garments and artifacts to display later with the work as proof of his eyewitness. Much of the rest of his restless life was spent roving among London, Paris and Brussels, displaying his traveling Indian Gallery (and making a living from it), toeing that precarious line between artist and impresario. The author thoughtfully explores the complicated bleeding of empathy into exploitation.

Eisler’s fine, thorough work begs for a fresh reappraisal of this pioneering artist.

Pub Date: July 22, 2013

ISBN: 978-0-393-06616-6

Page Count: 432

Publisher: Norton

Review Posted Online: May 6, 2013

Kirkus Reviews Issue: June 1, 2013

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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