An oddly compelling tale of two connected couples separated by geography and culture.
A literary novel tells the story of two couples a continent apart.
Ama Danso, a 29-year-old doctor based in California, is visiting her hometown of Accra, Ghana. She is seated with her friend Abby at a waterfront restaurant when she first sees a figure—the Shoreman—rise from the surf: “The shine of moon-glow on his bared upper torso seemed to carve him out as a dark sparkle on the shoreline. Like a shadow that held light.” She does not speak to him, but the two friends return several times hoping to cross his path. When they finally do, Ama learns his name is Shem Bonsra, but he is reluctant to speak to her for more than a few minutes at a time. Over the course of several dates, Ama learns that Shem has a tragic, fiery past, and that he now works as a nightsoil carrier. This second bit of information causes Ama to stop seeing him—the stigma would be too great—but she cannot get him out of her mind. Meanwhile, in a London pub, a physician named Maud James encounters a guy she calls the Barman. She soon realizes he’s George Stanton, a leader of a far-right political party. His nationalist politics appeal to Maud, whose white father was murdered by black men in her native Zimbabwe. The tales of these couples—Ama and Shem, Maud and George—seem starkly different, but their futures are all bound up together in this novel that explores the interconnected modern world. Kwakye’s (Songs of a Jealous Wind, 2018, etc.) prose finds the tension in the strangeness of place, as here when Ama searches for Shem in the nightsoil-disposing town of Old Fadama: “The town was barely alive and, except for the moon glow, it was totally dark. Even before they got close to the cesspit, they could smell the poignant odor. But they got closer anyway, surrendering safety of body and comfort of nostrils.” The plot moves slowly, and there is never much indication of where it is going. But a bubbling mysteriousness rooted in desire and longing will propel readers ever deeper into this idiosyncratic story.
An oddly compelling tale of two connected couples separated by geography and culture.Pub Date: N/A
ISBN: N/A
Page Count: 176
Publisher: Cissus World Press
Review Posted Online: March 21, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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