by Benjamin Nugent ‧ RELEASE DATE: July 7, 2020
Nugent manages—the mark of the master satirist—to be simultaneously compassionate and ruthless. Splendid.
Nugent won the 2019 Terry Southern Award, Paris Review's annual prize for humor, and this collection of eight interconnected stories makes it easy to see why.
The comedy in Fraternity, as befits its subject, is dark, uncomfortable, even disturbing. The stories are set in a Massachusetts college town (clearly Amherst), and the focus is on young men who are in many ways the usual suspects: hearty-partying casual misogynists, macho tribalists, the toxically masculine. But Nugent understands that satire is a means not only of exposing or ridiculing its subject, but of making them, using the rules of their own skewed logic, understandable, even sympathetic. They're a varied group. There's the genuinely sweet, universally admired chapter president, Nutella, object of an unsanctioned desire in the brilliant opening story, "God" (and narrator of a subsequent story set years after he leaves college); there's Swordfish, whose atrocious sex-toy prank during an anti-rape march ends up bringing a wooden house mascot to demonic life in the magical-realist "Ollie the Owl"; there's Petey, the gung-ho frat officer who's always up for anything ("The Treasurer"); there's the thoughtful non-Greek freshman from Long Island (in the poignant "Cassiopeia") who comes to think of fraternities, despite an instinctive distaste for them, as a potential refuge from the anything-goes ethos of Amherst and wanders one night into a house where he has an utterly unexpected encounter; there are the idiot powers that be in "Hell" who, eager to concoct fresh humiliations for new pledges, invite an alumnus, a naval intelligence officer, to help them—and very soon find themselves contemplating deeper, darker types of initiation rituals than they'd intended. Nugent writes memorable women here, too: the title character in "God"; a wunderkind film director; the homeless, cocaine-selling dropout, Claire, who narrates the final story, "Safe Spaces." This is a book about the awkward, awful passage between adolescence and adulthood and about the way these unwary, ill-prepared boys negotiate it, or try not to.Nugent manages—the mark of the master satirist—to be simultaneously compassionate and ruthless. Splendid.
Pub Date: July 7, 2020
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
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by Lauren Groff ‧ RELEASE DATE: Sept. 12, 2023
The writing is inspired, the imaginative power near mystic, but some will wish for more plot.
This historical fever dream of a novel follows the flight of a servant girl through the Colonial American wilderness, red in tooth and claw.
As in her last novel, Matrix (2021), Groff’s imaginative journey into a distant time and place is powered by a thrumming engine of language and rhythm. “She had chosen to flee, and in so choosing, she had left behind her everything she had, her roof, her home, her country, her language, the only family she had ever known, the child Bess, who had been born into her care when she was herself a small child of four years or so, her innocence, her understanding of who she was, her dreams of who she might one day be if only she could survive this starving time." Those onrushing sentences will follow the girl, “sixteen or seventeen or perhaps eighteen years of age,” through the wilderness surrounding the desperate colony, driven by famine and plague into barbarism, through the territory of “the powhatan and pamunkey” to what she hopes will be “the settlements of frenchmen, canada,” a place she once saw pointed out on a map. The focus is on the terrors of survival, the exigencies of starvation, the challenges of locomotion, the miseries of a body wounded, infected, and pushed beyond its limit. What plot there is centers on learning the reason for her flight and how it will end, but the book must be read primarily for its sentences and the light it shines on the place of humans in the order of the world. Whether she is eating baby birds and stealing the fluff from the mother’s nest to line her boots, having a little tea party with her meager trove of possessions, temporarily living inside a tree trunk that comes with a pantry full of grubs (spiders prove less tasty), or finally coming to rest in a way neither she nor we can foresee, immersion in the girl’s experience provides a virtual vacation from civilization that readers may find deeply satisfying.The writing is inspired, the imaginative power near mystic, but some will wish for more plot.
Pub Date: Sept. 12, 2023
Page Count: 272
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Awards & Accolades
Best Books Of 2022
New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Pub Date: Oct. 18, 2022
Page Count: 560
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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