Nugent manages—the mark of the master satirist—to be simultaneously compassionate and ruthless. Splendid.

FRATERNITY

Nugent won the 2019 Terry Southern Award, Paris Review's annual prize for humor, and this collection of eight interconnected stories makes it easy to see why.

The comedy in Fraternity, as befits its subject, is dark, uncomfortable, even disturbing. The stories are set in a Massachusetts college town (clearly Amherst), and the focus is on young men who are in many ways the usual suspects: hearty-partying casual misogynists, macho tribalists, the toxically masculine. But Nugent understands that satire is a means not only of exposing or ridiculing its subject, but of making them, using the rules of their own skewed logic, understandable, even sympathetic. They're a varied group. There's the genuinely sweet, universally admired chapter president, Nutella, object of an unsanctioned desire in the brilliant opening story, "God" (and narrator of a subsequent story set years after he leaves college); there's Swordfish, whose atrocious sex-toy prank during an anti-rape march ends up bringing a wooden house mascot to demonic life in the magical-realist "Ollie the Owl"; there's Petey, the gung-ho frat officer who's always up for anything ("The Treasurer"); there's the thoughtful non-Greek freshman from Long Island (in the poignant "Cassiopeia") who comes to think of fraternities, despite an instinctive distaste for them, as a potential refuge from the anything-goes ethos of Amherst and wanders one night into a house where he has an utterly unexpected encounter; there are the idiot powers that be in "Hell" who, eager to concoct fresh humiliations for new pledges, invite an alumnus, a naval intelligence officer, to help them—and very soon find themselves contemplating deeper, darker types of initiation rituals than they'd intended. Nugent writes memorable women here, too: the title character in "God"; a wunderkind film director; the homeless, cocaine-selling dropout, Claire, who narrates the final story, "Safe Spaces." This is a book about the awkward, awful passage between adolescence and adulthood and about the way these unwary, ill-prepared boys negotiate it, or try not to.

Nugent manages—the mark of the master satirist—to be simultaneously compassionate and ruthless. Splendid.

Pub Date: July 7, 2020

ISBN: 978-0-374-15860-6

Page Count: 160

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2020

Kirkus Reviews Issue: May 1, 2020

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A whimsical fantasy about learning what’s important in life.

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THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

TOMORROW, AND TOMORROW, AND TOMORROW

The adventures of a trio of genius kids united by their love of gaming and each other.

When Sam Masur recognizes Sadie Green in a crowded Boston subway station, midway through their college careers at Harvard and MIT, he shouts, “SADIE MIRANDA GREEN. YOU HAVE DIED OF DYSENTERY!” This is a reference to the hundreds of hours—609 to be exact—the two spent playing “Oregon Trail” and other games when they met in the children’s ward of a hospital where Sam was slowly and incompletely recovering from a traumatic injury and where Sadie was secretly racking up community service hours by spending time with him, a fact which caused the rift that has separated them until now. They determine that they both still game, and before long they’re spending the summer writing a soon-to-be-famous game together in the apartment that belongs to Sam's roommate, the gorgeous, wealthy acting student Marx Watanabe. Marx becomes the third corner of their triangle, and decades of action ensue, much of it set in Los Angeles, some in the virtual realm, all of it riveting. A lifelong gamer herself, Zevin has written the book she was born to write, a love letter to every aspect of gaming. For example, here’s the passage introducing the professor Sadie is sleeping with and his graphic engine, both of which play a continuing role in the story: “The seminar was led by twenty-eight-year-old Dov Mizrah....It was said of Dov that he was like the two Johns (Carmack, Romero), the American boy geniuses who'd programmed and designed Commander Keen and Doom, rolled into one. Dov was famous for his mane of dark, curly hair, wearing tight leather pants to gaming conventions, and yes, a game called Dead Sea, an underwater zombie adventure, originally for PC, for which he had invented a groundbreaking graphics engine, Ulysses, to render photorealistic light and shadow in water.” Readers who recognize the references will enjoy them, and those who don't can look them up and/or simply absorb them. Zevin’s delight in her characters, their qualities, and their projects sprinkles a layer of fairy dust over the whole enterprise.

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

Pub Date: July 5, 2022

ISBN: 978-0-593-32120-1

Page Count: 416

Publisher: Knopf

Review Posted Online: April 13, 2022

Kirkus Reviews Issue: May 1, 2022

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