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THE BELLWETHER REVIVALS

Wood moves the reader deftly through pastoral Cambridge, into the British upper crust, and ultimately into the mad mind of...

Eden Bellwether, an organ scholar at King’s College, Cambridge, has the idea he can heal through the power of music, but Wood raises the possibility that Eden has a Narcissistic Personality Disorder and is thus suffering from delusions about his powers.

The Bellwether family is characterized by both brilliance and eccentricity—and perhaps the two inevitably go together. Eden’s sister Iris is a medical student at Cambridge and a fine musician in her own right, a cellist rather than an organist, and she bounces between unflappable adoration of her brother and suspicion that he might be a pathological case study. One autumn evening, Oscar Lowe, a nurse’s assistant at a local nursing home, cuts across the King’s College grounds and is attracted by the sonorous sound of an organ. On this fateful evening he meets Eden and Iris. Despite their differences Oscar and Iris feel an immediate, quirky attraction for one another, and they quickly become lovers. Oscar, though highly intelligent and well read, has found for himself a path other than academia, but he feels himself drawn in by the undeniable charisma of the Bellwethers. His favorite patient at the nursing home is Abraham “Bram” Paulsen, a former distinguished professor of English, whose friendship with Herbert Crest, a brilliant psychologist, leads to a complicated and volatile mixture of personalities and motives. When Iris breaks her leg, Eden seems to heal her through a bizarre regimen of physical and musical therapy. Crest becomes intrigued with Eden’s putative powers, at least in part because the psychologist is dying of a malignant brain tumor, so his professional—and skeptical—motives become entangled with his personal ones, the latter characterized by Delusions of Hope, the book he’s desperately trying to finish writing before his death.

Wood moves the reader deftly through pastoral Cambridge, into the British upper crust, and ultimately into the mad mind of Eden himself.

Pub Date: July 2, 2012

ISBN: 978-0-670-02359-2

Page Count: 432

Publisher: Viking

Review Posted Online: May 15, 2012

Kirkus Reviews Issue: June 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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