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TINY FOX AND GREAT BOAR

THERE

An early comic drills home the lesson that you never know how much you need someone until you find a friend.

Two wild critters navigate seasons along with the ups and downs of an unexpected friendship.

Tiny Fox lives in a valley with just an apple tree for companionship, and, “like most small animals, he went about his day believing he was happy.” All that changes when Great Boar arrives and plops down beneath the tree. Perturbed, Tiny Fox now has to share everything. When he leaves for a short time and returns, however, he discovers Great Boar is gone and a newfound loneliness has settled in his place. Happily, the two are reunited in the first story in this collection (“Here”), and as the seasons change (“Together” takes place during fall and winter, snowy weather continues in “Apart,” and “There” takes the pals into spring), the two learn to trust one another and, when called upon to do so, trust themselves as well. Watercolors capable of evoking not simply the splendor of a new dawn, but also this little book’s emotional pitch are wielded with surgical skill. The smallest dab of a line beneath an eye can indicate remorse or, more often, worry. This storyline provides an elegant bridge between picture books and graphic novels; for fans of similarly early, gentle comics like Fox and Rabbit by Beth Ferry (2020) and Bug Boys by Laura Knetzger (2020).

An early comic drills home the lesson that you never know how much you need someone until you find a friend. (Graphic early reader. 6-9)

Pub Date: April 12, 2022

ISBN: 978-1-63715-020-7

Page Count: 64

Publisher: Oni Press

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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