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WILLA AND OLD MISS ANNIE

A fine author who won Carnegie medals in both 1987 and 1992 for YA novels re-creates the sensibilities of a young child in three linked stories. After moving to ``a big town, far away,'' Willa is lonely. When she meets Miss Annie, her bent, twisted old hands frighten Willa and she doesn't understand her words, ``so tiny that you could hardly hear them. They were more like secrets.'' Willa thinks Miss Annie has a ``ghost'' in her garden; at night, the white form resembles one, but it's really a lonely goat; by the time Willa and Miss Annie find him an appropriate home the two are friends. In the long central chapter they happen on a pony that has nearly died after being tethered and abandoned—a heartwrenching animal story tempered by its happy outcome and the gritty, satirical characterizations of the villains. ``Vicky Fox'' presents the sad probabilities inherent in trying to keep a wild pet and the differing perceptions of old and young towards possession and friendship between humans and animals; here Willa makes another friend, her own age. Astutely observed, elegantly crafted, and easily read, these thoughtful stories deserve a place beside Phillipa Pearce's A Dog So Small and Dick King-Smith's Sophie books. (Fiction. 6-10)

Pub Date: April 1, 1994

ISBN: 1-56402-331-1

Page Count: 92

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1994

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THE JUNKYARD WONDERS

Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)

Pub Date: July 1, 2010

ISBN: 978-0-399-25078-1

Page Count: 48

Publisher: Philomel

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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