Cornwell, whose wonderfully entertaining Sharpe series of 18th-century military-sea adventures has entranced readers for years, starts a Civil War series with a great bang. Nate Starbuck is a Yankee, the son of a loathsome but quite famous abolitionist minister, and lately a Yale divinity student. Nate's path to the pulpit was interrupted by an infatuation with an actress. But abandoned by the actress in Richmond in the opening days of the war, Nate falls victim to an anti-Northern mob and is about to be tarred and feathered when he's rescued by Washington Faulconer. Faulconer, one of the richest men in the South, has been putting together his own legion to take to battle against the Yankees. Without a cent of his own, embarrassed by his foolish fling, and much taken with the dashing Colonel Faulconer, Starbuck throws his lot in with the South and signs on with the legion—then rides west to his first tricky assignment: to sign up Thomas Truslow, a charismatic but excessively independent and possibly murderous farmer, to be one of Faulconer's sergeants. He finds Truslow, all right, but he also finds Truslow's fatally alluring, 15-year-old daughter Sally, an expectant mum. Truslow, who quickly discovers Nate's theological training, won't go anywhere until Nate first prays over the late Mrs. Truslow and then weds Sally to a young neighbor boy. Expecting to be struck by lightning for posing as a preacher, Nate does as he's told and then takes Truslow back to Faulconer Courthouse, where everybody is training to ride off to what will be the first real battle of the war, the battle of First Manassas—where Starbuck learns, to his surprise, that he's a born soldier. Wonderful stuff. Starbuck is a worthy hero, smart enough to be interesting, callow enough to be real. Virginia is a great stage, teeming with Confederate and military politics, and the battle scenes, when they come, are presented with real mastery. They hurt.
Pub Date: Feb. 17, 1993
ISBN: 0060934611
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...
Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.
Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.Pub Date: June 6, 2017
ISBN: 978-0-425-28468-1
Page Count: 352
Publisher: Ballantine
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
A compelling, beautifully rendered tale of passion and pain.
Rome, past and present, serves as the setting for a sparkling historical novel.
Smith (Free Men, 2016, etc.) bounds through 2,000 years of history, following four indelible characters as they grapple with questions of faith, freedom, and transgressive love. Tom, a biologist working in contemporary Rome, is studying ostracods, tiny crustaceans that thrive in polluted, agitated environments. “Are they adapting in the face of disadvantage or are they opportunists of collapse?” Tom asks, aware that his question about ostracods could just as well apply to his own emotional agitation. The married father of a 9-year-old daughter, he has met a young woman who enchants him, impelling him to confront his desperate desire for “an unleashing” and for a love deeper than what he feels for his wife. A child playing in the water where he is investigating suddenly shrieks in pain, pierced by a piece of bent metal, “scaly with corrosion, its silver marred with patches of orange rust.” It is a fishhook—maybe a castoff with no value or perhaps an ancient relic: uncanny, miraculous. The fishhook reappears as Smith leaps back to the Renaissance, where it falls into the hands of Giulia, a mixed-race princess newly married to a Medici, pregnant with another man’s child. For Giulia, her fortunes embroiled in political and religious rivalries, the fishhook evokes a holier time, before corruption and hypocrisy sullied the church. In ninth-century Rome, Felix, a 60-year-old monk, is tormented by his youthful, forbidden love for Tomaso; assigned to watch over the decaying bodies in the putridarium, Felix comes into possession of the fishhook, guessing—wishing—that it belonged to the martyred St. Prisca, who perhaps “got it direct from Jesus.” In the year 165, Prisca did indeed find the hook, secreting it as a precious token. Drawn to worshipping Christ rather than pagan gods, 12-year-old Prisca stands defiant against her violent tormenters. Perhaps Smith’s most appealing character is Satan, whose weary, ironic comments punctuate a narrative that shines with lyrical, translucent prose.
A compelling, beautifully rendered tale of passion and pain.Pub Date: March 24, 2020
ISBN: 978-0-06-287364-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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