Cornwell’s no-fail mix of historic tidbits and good-humored action makes the usually gloomy ninth century sound like a hell...
A dispossessed Northumbrian gets a military education from the Danes before reluctantly signing on to serve the humorless Wessexian king, he who will eventually become Alfred the Great (849–99).
Opening yet another series, Cornwell, who turns out about two high-quality historicals a year (Sharpe’s Escape, 2004, etc.) without breaking a sweat, examines, through the eyes of a reluctant vassal, the career of the only English king to rate a Great. Born Osbert, younger son of Uhtred, ealdorman of Bebbanburg, on the coast of Northumbria, robust, war-loving Uhtred got renamed on the death of his older brother, killed by the Danes who, on a later raid, seized the lad and, admiring his spunk, kept him as a sort of pet. And Uhtred loves the Danish life. Back in Bebbanburg, his father and grumpy stepmother had been trying to have him educated by Beocca, a too-serious, too-Christian monk, but Uhtred wasn’t interested. (And Uhtred’s greedy uncle wanted him dead.) Ragnar, the warrior Dane who spared Uhtred’s life, seeing real soldier potential in the boy, taught him the fine points of disemboweling, decapitating, etc., in a blissfully wild childhood on the land the invaders had seized from the very disorganized English. Besides loving the warrior life, Uhtred finds rowdy fatalistic paganism infinitely more sensible and appealing than the morose and, well, wimpy Christianity his countrymen cling to. The one glitch in his new life is the lifelong enemy he makes when he interrupts the prepubescent sexual assault on Ragnar’s daughter by Sven, son of Kjartan, one of Ragnar’s lieutenants. Sven and Kjartan will eventually be the death of Ragnar, forcing Uhtred and his wild English girlfriend, Brida, to move south, reluctantly resuming their British identities and drifting into the camp of Alfred, the only king on the island who hasn’t capitulated to the invaders.
Cornwell’s no-fail mix of historic tidbits and good-humored action makes the usually gloomy ninth century sound like a hell of a lot of fun.Pub Date: Feb. 1, 2005
ISBN: 0-06-053051-0
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
A heartfelt tale of love too stubborn to surrender to human frailties.
When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.
After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.
A heartfelt tale of love too stubborn to surrender to human frailties.Pub Date: Nov. 20, 2018
ISBN: 978-0-06-231925-8
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Brimming with warmth and vitality, this new novel by the author of How the Garcia Girls Lost Their Accents (1991) is a paean to the power of female courage. The butterflies are four smart and lovely Dominican sisters growing up during Trujillo's despotic regime. While her parents try desperately to cling to their imagined island of security in a swelling sea of fear and intimidation, Minerva Mirabal—the sharpest and boldest of the daughters, born with a fierce will to fight injustice—jumps headfirst into the revolutionary tide. Her sisters come upon their courage more gradually, through a passionate, protective love of family or through the sheer impossibility of closing their eyes to the horrors around them. Together, their bravery and determination meld into a seemingly insurmountable force, making Trujillo, for all his power, appear a puny adversary. Alvarez writes beautifully, whether creating the ten-year-old Maria Teresa's charming diary entries or describing Minerva's trip home after her first unsettling confrontation with Trujillo: ``As the road darkened, the beams of our headlights filled with hundreds of blinded moths. Where they hit the windshield, they left blurry marks, until it seemed like I was looking at the world through a curtain of tears.'' If the Mirabal sisters are iron-winged butterflies, their men—father and husbands—often resemble those blinded moths, feeble and fallible. Still, the women view them with kind, forgiving eyes, and though there's no question of which sex is being celebrated here, a sweet and accepting spirit toward frailty, if not human cruelty, prevails. This is not Garc°a M†rquez or Allende territory (no green hair or floating bodies); Alvarez's voice is her own, grounded in realism yet alive with the magic of everyday human beings who summon extraordinary courage and determination to fight for their beliefs. As mesmerizing as the Mirabal sisters themselves. (First printing of 40,000; $40,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 1-56512-038-8
Page Count: 344
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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