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DROWNING IN THE DESERT

A NEVADA NOIR NOVEL

A finely wrought Western mystery by a true master of the form.

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In Schopen’s latest neo-Western, an ex-lawman finds his life upended by the discovery of a missing plane.

Fats Rangle used to be a deputy sheriff in Pinenut County, but those days are behind him. The former cop now operates Cherry Creek Stables and Excursions with his brother on the family’s ranch in the Nevada desert, which offers such activities as horseback riding, camping, and fishing parties. Fats laments the many changes that have come to his native valley, bringing more development, more people, and a lowering water table that’s causing vegetation to dry up. While riding one evening in the nearby mountains, he comes across the wreckage of a small single-engine plane that went missing two years ago. There are two bodies inside, mummified by the elements, but nothing of obvious value: “More interesting to Fats was the track in the snow…that zigzagged up to the wreckage. Someone had been here, he guessed a month or so ago. He could also guess who. And why.” Fats purposely tramples over the original tracks, and later, when he reports the crash to his former colleague, Sheriff Dale Zahn, he doesn’t mention that someone else had been there. It turns out that Fats’ cousin Strutter Martin has gone missing, and Fats suspects that his disappearance and the tracks outside the plane are related—especially after he learns of a missing briefcase full of cash that should have been on the plane. Fats launches a private investigation into the whereabouts of Strutter and the briefcase, and he soon stumbles upon a much larger scheme involving political corruption, a Las Vegas dancer, and water rights. The stakes of this game are high, and Fats will have to play his hand carefully if he doesn’t want to end up dead.

Over the course of this novel, Schopen shows himself to be a skilled poet of the Western landscape, and readers will find that his prose is as lean and tough as old leather: “The wind soughed. A jay fussed. Near the corral, a young bay mare cropped the sparse mountain foliage. Beside the water tank stood Fats Rangle, squat, still.” The hinterlands between the desert and the city provide a stark stage for this morality tale, and it’s one in which nature, in all its danger and delicacy, is a force that must always be reckoned with. The novel combines clearly recognizable Western elements with those of hardboiled detective fiction, and the laconic, short-tempered Fats exemplifies the antiheroic archetypes of both genres. The protagonist’s search for answers quickly becomes a broader exploration of himself and his history—particularly the series of events that caused him to leave the sheriff’s office for good; the story also encompasses the evolving realities of his beloved, but no longer remote, valley homeland. Is there still a place in the West for men such as Fats? Readers will hope so, as long as there are talents like Schopen to write about them.

A finely wrought Western mystery by a true master of the form.

Pub Date: Aug. 22, 2023

ISBN: 9781647791186

Page Count: 223

Publisher: University of Nevada Press

Review Posted Online: Dec. 8, 2023

Kirkus Reviews Issue: Feb. 1, 2024

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THE WOMAN IN SUITE 11

An enjoyable visit with an old character, but not one of Ware’s strongest.

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Travel writer Lo Blacklock is back. Ten years after the events of The Woman in Cabin 10 (2016), she's attending the opening of a lavish Swiss hotel when, once again, a mystery intervenes.

A decade after she almost died on a luxury cruise and ended up exposing a murder plot, travel journalist Laura “Lo” Blacklock is trying to get back into the business post-Covid-19 and post–maternity leave. When she's invited to an exclusive hotel launch by the Leidmann Group on the shores of Switzerland’s gorgeous Lake Geneva, her supportive husband, Judah, insists that she should go, and her old boss, Rowan, says that if Lo can score an interview with the reclusive Marcus Leidmann, she’ll publish it in the Financial Times. Leaving Judah and the kids at home in New York, Lo is surprised by a last-minute upgrade to first class, which kicks off her trip in style. The hotel is appropriately awe-inspiring in both scenic location and effortless luxury, and Lo starts to put the memories of last trip’s trauma behind her, thinking that maybe she can just enjoy the experience this time. But then, at dinner, she's surprised to see at least three guests who were also on that original cruise, and when she finds a mysterious note in her room saying "Please come to suite 11 as soon as possible," she gets another shock. To quote William Faulkner, she realizes that “the past is never dead,” and soon Lo is careening across Europe on her way to England, only to find herself embroiled in another murder. The back half of the novel offers her the opportunity to continue her amateur sleuthing, and while she avoids much of the physical danger that plagued her on the cruise a decade ago, she is in very real legal trouble. This is the prolific Ware’s first sequel, and it's fun to spend time with Lo again, as she's both savvy and kindhearted. Unfortunately, the mystery is not as atmospheric and gripping as usual for Ware, though even a lesser Ruth Ware thriller is still worth reading.

An enjoyable visit with an old character, but not one of Ware’s strongest.

Pub Date: July 8, 2025

ISBN: 9781668025628

Page Count: 400

Publisher: Scout Press/Simon & Schuster

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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