A finely wrought Western mystery by a true master of the form.
In Schopen’s latest neo-Western, an ex-lawman finds his life upended by the discovery of a missing plane.
Fats Rangle used to be a deputy sheriff in Pinenut County, but those days are behind him. The former cop now operates Cherry Creek Stables and Excursions with his brother on the family’s ranch in the Nevada desert, which offers such activities as horseback riding, camping, and fishing parties. Fats laments the many changes that have come to his native valley, bringing more development, more people, and a lowering water table that’s causing vegetation to dry up. While riding one evening in the nearby mountains, he comes across the wreckage of a small single-engine plane that went missing two years ago. There are two bodies inside, mummified by the elements, but nothing of obvious value: “More interesting to Fats was the track in the snow…that zigzagged up to the wreckage. Someone had been here, he guessed a month or so ago. He could also guess who. And why.” Fats purposely tramples over the original tracks, and later, when he reports the crash to his former colleague, Sheriff Dale Zahn, he doesn’t mention that someone else had been there. It turns out that Fats’ cousin Strutter Martin has gone missing, and Fats suspects that his disappearance and the tracks outside the plane are related—especially after he learns of a missing briefcase full of cash that should have been on the plane. Fats launches a private investigation into the whereabouts of Strutter and the briefcase, and he soon stumbles upon a much larger scheme involving political corruption, a Las Vegas dancer, and water rights. The stakes of this game are high, and Fats will have to play his hand carefully if he doesn’t want to end up dead.
Over the course of this novel, Schopen shows himself to be a skilled poet of the Western landscape, and readers will find that his prose is as lean and tough as old leather: “The wind soughed. A jay fussed. Near the corral, a young bay mare cropped the sparse mountain foliage. Beside the water tank stood Fats Rangle, squat, still.” The hinterlands between the desert and the city provide a stark stage for this morality tale, and it’s one in which nature, in all its danger and delicacy, is a force that must always be reckoned with. The novel combines clearly recognizable Western elements with those of hardboiled detective fiction, and the laconic, short-tempered Fats exemplifies the antiheroic archetypes of both genres. The protagonist’s search for answers quickly becomes a broader exploration of himself and his history—particularly the series of events that caused him to leave the sheriff’s office for good; the story also encompasses the evolving realities of his beloved, but no longer remote, valley homeland. Is there still a place in the West for men such as Fats? Readers will hope so, as long as there are talents like Schopen to write about them.
A finely wrought Western mystery by a true master of the form.Pub Date: Aug. 22, 2023
ISBN: 9781647791186
Page Count: 223
Publisher: University of Nevada Press
Review Posted Online: Dec. 8, 2023
Kirkus Reviews Issue: Feb. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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