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THE GREAT ANIMAL ORCHESTRA

FINDING THE ORIGINS OF MUSIC IN THE WORLD'S WILD PLACES

An imaginative introduction to a new dimension of the natural world.

Krause (Wild Soundscapes: Discovering the Voice of the Natural World, 2002, etc.) chronicles his experiences with “[n]atural soundscapes…the voices of whole ecological systems.”

A professional musician since 1964, the author became fascinated with the possibilities created by modular synthesizers. He moved to California where he conducted workshops in electronic music and worked as a sound engineer for film studies, providing sound background for Rosemary's BabyApocalypse Now and other films. He also recorded In a Wild Sanctuary, “the earliest musical piece to use long segments of wild sound as components of orchestration, and also the first to feature ecology as its theme.” Krause learned to use stereo headphones, microphones and a portable recording system to record natural scenes, and he often recorded scenes at varying distances, tuning to different acoustic levels and frequencies to re-create an auditory image of a scene without the aid of visual cues, which ordinarily assist our hearing by screening out certain sounds while focusing on others. In this way he created a “soundscape” of a particular location. He captured the organ-like sounds of reeds and wind in northern Oregon, and his first scientific commission, after he received a doctorate in bio-acoustics, was the sound background for an exhibit of a waterhole in Kenya. In the years since, Krause’s study of different habitats has led him to conclude that “creatures vocalize in distinctive kinship with another,” each establishing its own sound niche and creating the rhythms of “the natural world.”

An imaginative introduction to a new dimension of the natural world.

Pub Date: March 19, 2012

ISBN: 978-0-316-08687-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 29, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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SILENT SPRING

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!

It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.

Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!  

Pub Date: Sept. 27, 1962

ISBN: 061825305X

Page Count: 378

Publisher: Houghton Mifflin

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: July 1, 1962

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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