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THE HOUSE OF PERCY

HONOR, IMAGINATION, AND MELANCHOLY IN A SOUTHERN FAMILY

Wyatt-Brown (History/Univ. of Florida; Southern Honor, not reviewed, etc.) buries a good idea under an avalanche of scholarly detail. Too much of this study is concerned with the first Percys in America, an interesting but not exceptional bunch of slaveholding frontiersmen led by one ``Don Carlos'' Percy, an apparent bigamist who also seems to have shared the Percy predisposition to melancholia. His other legacies to future Percys were a fondness for Stoicism, Catholicism, conservatism, and an aristocratic sense of honor. Thus Wyatt-Brown's thesis (i.e., ax) to demonstrate (i.e., grind): that generations of Percys are linked by the ethics of chivalry, the tendency to chronic depression, and the predilection for mythmaking. Among the mythmakers were two 19th- century sisters (Wyatt-Brown calls them ``two Southern Brontâs'') who churned out mediocre verse and commonplace gothic fiction. A later relative, Sarah Dorsey, achieved minor fame as a postCivil War romance novelist and major notoriety as the close friend of the married Jefferson Davis, with whom she bemoaned the decline of the South during Reconstruction. Real distinction came in the 20th century with LeRoy Percy, a US senator from Mississippi, who was an ardent foe of the Ku Klux Klan. His son, the poet William Alexander Percy, shared the same sense of noblesse oblige. ``A bachelor with severe inhibitions'' (i.e., a closeted homosexual), Will eventually published Lanterns on the Levee, a classic of the modern South. Walker Percy's grandfather (the senator's brother) and father both committed suicide, but the novelist worked through his existential melancholy, argues Wyatt-Brown, by creating many fine works of fiction. No literary critic, Wyatt-Brown forgets why most readers would pick up this book in the first place. He barely mentions Walker Percy until well over 200 pages into the book, by which time most nonhistorians are likely to have set it aside.

Pub Date: Oct. 1, 1994

ISBN: 0-19-505626-4

Page Count: 496

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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