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EVERY MAN FOR HIMSELF

The 1912 maiden voyage of the Titanic—not played for the usual melodrama but used, half-successfully, as the backdrop for the coming-of-age story of a well-connected, uncertain young man. Harvard grad Morgan has plenty to be uncertain about. His early childhood was a blur of poverty, abandonment, and abuse—all ended when he was rescued, Dickens-style, by the family of his millionaire uncle-by-marriage (apparently J.P. Morgan himself). As a result, Morgan has grown up in great wealth but is still haunted by bygone scandal and loss. Now, having worked as an apprentice draughtsman at the London firm that designed the wondrous Titanic, Morgan is heading home to New York on the luxury liner—a floating metaphor (with its glamorous topdecks and steerage squalor below), for his layered identity. By the time disaster strikes, Morgan's world has already been upended. He has timidly attempted his first amour—only to find that the cool socialite he worships is engaged in a seemingly loveless affair with a middle-aged man-of-the-world (whom Morgan has seen as a surrogate father). Disturbed by the ill treatment of the ship's crew, he questions the values of his glittery, hypocritical circle—and frets over his lack of direction. So, when the shipwreck comes, it's a chance for Morgan to prove himself—and to see how certain social and moral attitudes play out in the face of crisis and death. Bainbridge doesn't always find the perfect balance between Morgan's introspective story (only intermittently affecting) and the familiar Titanic epic, and this lacks the gripping quality of her finest historical fictions (Young Adolf, 1979; The Birthday Boys, 1994). But her gift for lean yet resonant narration—vivid details and images, startling dialogue, telling anecdotes—remains one of modern fiction's marvels, and at its best this bildungsroman-at-sea (with more than a few echoes of Conrad) casts a dark, doomy spell.

Pub Date: Nov. 1, 1996

ISBN: 0-7867-0349-0

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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