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THE REAGAN REVERSAL

FOREIGN POLICY AND THE END OF THE COLD WAR

Much energy is expended here demonstrating that Ronald Reagan's policy toward the Soviets was pro- rather than reactive beginning in 1984. According to Fischer (Political Science/Univ. of Toronto), both versions of the ``conventional wisdom'' about the ending of the Cold War portray Reagan as simply responding to Gorbachev's initiatives. Liberals dismiss him as the lucky man in office when the Soviet Union unraveled, conservatives praise him as the hardliner tightening the screws until the Soviets cried ``uncle.'' Fischer's examination of events, however, points to a stark shift in Reagan administration rhetoric and policy prior to the 1985 summit with Gorbachev. The references to an evil empire and refusals to enter into serious arms negotiations were abruptly replaced by a more conciliatory attitude shorn of saber-rattling and positively seeking accommodation with the Soviets. But if the Reagan Administration was out front rather than reacting to Gorbachev, the interesting question is explaining this reversal. In good dissertation-like fashion, three hypotheses are considered: (1) domestic politics dictated a softening of ideological hyperbole prior to the 1984 election; (2) moderates within the administration became more influential in the area of foreign policy; and (3) Reagan himself decided to take relations with the Soviets in a new direction. The possibility that multiple factors were at work is ignored, and the first two potential explanations are rejected as insufficient. The third is supported through a quasi-psychological analysis in which Reagan's horror of nuclear weapons, his belief in an approaching biblical Armageddon, and a series of triggering events are posited as the basis for his leadership in reaching out to the Soviets. There is no hard evidence supporting this hypothesis, of course, but it doesn't matter: This is a purely academic exercise, somewhat akin to arguing over how many angels can dance on the head of a pin.

Pub Date: Dec. 1, 1997

ISBN: 0-8262-1138-0

Page Count: 192

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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