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VOICES FROM THE APE HOUSE

A pleasing gathering of distinct personalities and unique stories from the ape house.

A gorilla keeper’s memoir about her years (1982-1996) at the Columbus Zoo.

Armstrong began her career when zoos were on the cusp of rethinking their mission and their responsibilities regarding the animals in their care. It was a roiling time in the zoo community, with new ideas challenging traditional practices. Early on, the author found her niche in the zoo’s ape house, where even the simple chores gave her pleasure as they brought her close to the gorillas. In a comfortable, conversational writing style, she composes short, crisp stories about her encounters with the great apes. She eschews the chart, table, and figure approach of behavioral research, instead relying on a purely anecdotal telling of her real-life experiences with the gorillas. One of her first lessons was that keepers serve as the first advocates for the gorillas in captivity. Armstrong chronicles the processes of introducing hay for nesting and providing playthings for entertainment and structures to climb on and swing from. Today, when many zoos have created entire habitats for their apes, these elemental changes may seem negligible, but they were the first steps in fashioning suitable environments in which the apes could thrive rather than just survive. Armstrong was in the forefront of exchanging experiences with other zoos around the world, developing a network of relationships that spread advances made in gorilla husbandry and zoo management. The zoo’s philosophy became “Do the right thing for the right reasons,” guided by insights from the ape house: “Never ever presume anything; the gorillas will tell you through obvious and not so obvious ways what they want, what they need. Never bring your presumption to the fore as that will predictably get someone hurt, either a gorilla or a keeper.” Though the author’s discussions of zoo management are mostly engaging, the most heart-touching material is found in the profiles of the gorillas.

A pleasing gathering of distinct personalities and unique stories from the ape house.

Pub Date: March 10, 2020

ISBN: 978-0-8142-5571-1

Page Count: 312

Publisher: Trillium/Ohio State Univ. Press

Review Posted Online: Jan. 15, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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