A profoundly moving remembrance that’s alternately sad and uplifting.
A New York City–based film editor confronts a diagnosis of terminal cancer in this debut memoir.
In August 2017, Cramer was told that she had stage 4 ovarian cancer. During a routine medical appointment, a nurse practitioner examined a bump on the author’s pelvis and quickly handed her a slip to get an urgent CT scan, as though it were a baton in a “relay race.” She was later told that she had a “fourteen-centimeter tumor” and that she must undergo surgery to remove “the big mass…the uterus, ovaries, fallopian tubes, all of it,” and then receive chemotherapy. The memoir describes how Cramer, a New York film editor; her husband, Todd; and their young son, Noah, came to terms with the news. She describes all aspects of her treatment, from awaiting surgery to having a port inserted in her chest for infusions. She also poses penetrating questions—one chapter, for example, is titled “Should I Fight?”—and approaches the act of wig shopping with wickedly mordant wit: “I sit down in the wig barber’s chair looking like my two-year-old-self refusing to wear underwear because it is itchy.” The book goes on to explore how the author’s cancer diagnosis has changed her outlook on life, asking “will an illness as serious as this teach me that I no longer need to fix things, and can I finally release my grip and get on with living?” Cramer’s writing is characterized by an eagle-eyed search for positivity: “Fuck it. I want to live my life not spend time making legacy boxes of my unfinished one.” For the author, this statement is an act of personal catharsis, but her message has an inspirational universality. Some readers may flinch at her bluntness, but for most, her writing will offer revitalizing guidance: “I’m told death is close, it is imperative that I take initiative to go any direction away from stuck.” Overall, this keenly observed memoir delicately balances humor and heartache while signaling the importance of each passing moment.
A profoundly moving remembrance that’s alternately sad and uplifting.Pub Date: Aug. 1, 2019
ISBN: 978-1-73337-520-7
Page Count: 238
Publisher: Time Tunnel Media
Review Posted Online: Sept. 6, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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