Sensitive text is paired with uneven artwork in this picture book designed to help children cope with the loss of a grandparent.

Jake, a pre-school or kindergarten-aged tyke, loves visiting his grandfather, Poppy, on the farm. Farming is no longer a tradition in his family, and according to Jake’s mother, when Poppy is “gone,” the family farm will be, too. Jake doesn’t understand where Poppy might be going though his mother assures him that Poppy won’t be going anywhere for a long time. But the conversation is prophetic—that night, Jake’s mother receives the phone call that Poppy has died. As Jake’s mother explains, Jake imagines a heart attack as a violent conflict between a heart and weapons. He struggles to understand what it means that Poppy is dead, and his mother patiently attempts to offer words that will make sense. Jake watches the contrary behavior of the adults, who say that it is only Poppy’s body in the casket, but still speak to the burial plot to say farewell. Jake’s questions are true to a child’s perspective, and his mother’s answers are thoughtful; she offers him comfort without absolutes, always prefacing her explanations about what happens after death within the context of her beliefs and being unafraid to admit that she doesn’t have all the answers. The conclusion, where Jake and his mother imagine Poppy’s combine as a constellation, is touching. Meyerson, a reverend, handles the religious aspects lightly, while presenting them from a Christian perspective. Illustrator Searcy’s choice of style appears designed to appeal to young readers, but often the faces are unevenly depicted, making the images off-putting. However, her depictions of Jake’s imagined scenes, drawn in a childlike style rather than painted like the other images, are spot on, and her abstract backgrounds are lovely. The choice of a parchment style background behind the images and the use of a papyrus font are distracting, but ultimately blend into the story and images. Books that address grief are always in need, and Meyerson’s gentle words and child-centered perspective will provide comfort to young readers.  


Pub Date: Jan. 15, 2012

ISBN: 978-0615567754

Page Count: 34

Publisher: Beth Meyerson

Review Posted Online: Jan. 12, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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More gift book than storybook, this is a meaningful addition to nursery bookshelves


A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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The greening of Dr. Seuss, in an ecology fable with an obvious message but a savingly silly style. In the desolate land of the Lifted Lorax, an aged creature called the Once-ler tells a young visitor how he arrived long ago in the then glorious country and began manufacturing anomalous objects called Thneeds from "the bright-colored tufts of the Truffula Trees." Despite protests from the Lorax, a native "who speaks for the trees," he continues to chop down Truffulas until he drives away the Brown Bar-ba-loots who had fed on the Tuffula fruit, the Swomee-Swans who can't sing a note for the smogulous smoke, and the Humming-Fish who had hummed in the pond now glumped up with Gluppity-Glupp. As for the Once-let, "1 went right on biggering, selling more Thneeds./ And I biggered my money, which everyone needs" — until the last Truffula falls. But one seed is left, and the Once-let hands it to his listener, with a message from the Lorax: "UNLESS someone like you/ cares a whole awful lot,/ nothing is going to get better./ It's not." The spontaneous madness of the old Dr. Seuss is absent here, but so is the boredom he often induced (in parents, anyway) with one ridiculous invention after another. And if the Once-let doesn't match the Grinch for sheer irresistible cussedness, he is stealing a lot more than Christmas and his story just might induce a generation of six-year-olds to care a whole lot.

Pub Date: Aug. 12, 1971

ISBN: 0394823370

Page Count: 72

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1971

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