MARSHA IS MAGNETIC

Marsha will surely attract many fans.

Marsha uses science and engineering skills to test a hypothesis on how to make friends.

Wide-eyed and bespectacled with a triple-braided pouf of red hair, Marsha stands out at school, but not in the ways she wants. As her birthday fast approaches, everything is ready to go except the guest list. Marsha ponders how she can bridge social gaps to not only invite classmates to her party, but maybe even make some friends. Though she may not know social expectations, she definitely knows science. Through observation, questioning, and the testing of a hypothesis, Marsha hopes to discover what really attracts friends. The comical electromagnetic outfit she wears to school, inspired by her dad’s offhand remark about “magnetic personality,” sure does draw people in, though in unexpected and troublesome ways. Vividly hued and bright-eyed cartoon illustrations from Alvarez capture the childlike whimsy and creativity of the protagonist’s big idea. Along with eye-catching illustrations, a good dose of humor and a happy ending will draw in plenty of new friends for our heroine. Marsha and her parents have light-brown skin, and her school is a bustle with diverse classmates and teachers.

Marsha will surely attract many fans. (Picture book. 4-7)

Pub Date: Jan. 26, 2021

ISBN: 978-0-544-73584-2

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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