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MORE THAN YOU KNOW

Schematic plot, unconvincing characters: both undo what a potentially haunting love story.

From a usually deft storyteller (Five Fortunes, 1998, etc.), an uncompelling ghost tale, set in Maine and spanning two

centuries, that fails to either beguile or bewitch. The narrator, Hannah Gray, is getting old and wants to tell what happened before it's too late, so back in Dundee, Maine, where she spent summers, she begins her account of a malevolent spirit and thwarted love. It's winter in the small seaside village—the perfect time to describe a restless ghost bent on harming those with joyful lives. The story Hannah relates, of her encounter with the ghost, parallels the story of Claris Osgood, born in 1838 and destined for tragedy. Hannah explains how her mother, a Dundee native, died when Hannah was a baby and her father married Edith, a dejected, insecure woman. The summer Hannah was 17, the family rented the old schoolhouse in Dundee, but Hannah soon realized there was something strange about the house. She heard weeping and doors being opened, and then saw a woman in her bedroom. Curious and determined to disprove a skeptical Edith, Hannah learned the house was moved from nearby Beal Island, where a notorious murder took place in1886. In the other story, Claris grows up, marries loner Daniel Haskell, and moves to his home on Beal Island. Missing her family, Claris is consoled by her son, Amos. Later daughter Sallie is born, yet she will never be loved as much, and when Amos drowns, Claris begins behaving strangely. Next, Daniel is murdered, and Sallie is accused of the crime but acquitted. Hannah continues with her own yarn, recalling how she met and fell forever in love with Conary Crocker, a fisherman's son, and how the embittered ghost deliberately destroyed her happiness.

Schematic plot, unconvincing characters: both undo what a potentially haunting love story.

Pub Date: April 1, 2000

ISBN: 0-688-17403-5

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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