Thought-provoking and intense—recommended for patient readers.
Choices and their unpredictable aftermaths form the backbone of Kephart’s (This Is the Story of You, 2016, etc.) latest.
White, 13-year-old Lizzie’s choice to spend the summer in the Adirondacks with Uncle Davy while her mother undergoes cancer treatment is simple. There, she can also visit her “all-year-round friend” Matias, a Salvadoran boy with proportionate dwarfism who’s a talented watercolor painter. But when Matias is kidnapped by escapees from a nearby prison, Lizzie makes a harder choice: to rescue him, braving 6 million acres of wilderness alone. Lizzie’s adventure unravels in an epic victim-impact statement, which she addresses to a faceless visitor: Caroline, the kidnappers’ accomplice. Angry, frantic, insightful, and vividly lyrical, Lizzie’s voice densely weaves together the disorienting landscape; memories of her absent, narcissistic father; and Matias’ stories of the beauty and danger of the country he fled. Framed in Lizzie’s elegies to his “myths” and “light,” Matias himself seems more akin to a legendary figure than a person, which lessens the emotional impact of his disappearance despite Lizzie’s distress. As Caroline’s part in several characters’ fates emerges, occasional sympathy for Caroline conflicts with the irreversible consequences of her choices. Readers, like Lizzie, will ponder the possibility of forgiveness; there are no easy answers, but the book ends on a hopeful note. Sulit’s illustrations of Matias’ postcards appear in full color throughout.
Thought-provoking and intense—recommended for patient readers. (Fiction. 11-14)Pub Date: June 5, 2018
ISBN: 978-1-4814-9153-2
Page Count: 336
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Awful on a number of levels—but tidily over at last.
The rebellion against an evil archmage and his bowler-topped minions wends its way to a climax.
Dispatching five baddies on the first two pages alone, wand-waving villain-exterminator Vega Jane gathers a motley army of fellow magicals, ghosts, and muggles—sorry, “Wugmorts”—for a final assault on Necro and his natty Maladons. As Necro repeatedly proves to be both smarter and more powerful than Vega Jane, things generally go badly for the rebels, who end up losing their hidden refuge, many of their best fighters, and even the final battle. Baldacci is plainly up on his ancient Greek theatrical conventions, however; just as all hope is lost, a divinity literally descends from the ceiling to referee a winner-take-all duel, and thanks to an earlier ritual that (she and readers learn) gives her a do-over if she’s killed (a second deus ex machina!), Vega Jane comes away with a win…not to mention an engagement ring to go with the magic one that makes her invisible and a new dog, just like the one that died heroically. Measuring up to the plot’s low bar, the narrative too reads like low-grade fanfic, being laden with references to past events, characters who only supposedly died, and such lines as “a spurt of blood shot out from my forehead,” “they started falling at a rapid number,” and “[h]is statement struck me on a number of levels.”
Awful on a number of levels—but tidily over at last. (glossary) (Fantasy. 11-13)Pub Date: Feb. 26, 2019
ISBN: 978-1-338-26393-0
Page Count: 448
Publisher: Scholastic
Review Posted Online: March 26, 2019
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