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THE UNDOING OF SAINT SILVANUS

A compelling, redemptive story.

A young woman finds home, her people, and God in a Christian-based coming-of-age tale with dramatic family elements set in New Orleans.

Jillian Slater gets an enigmatic phone call asking her to come back to New Orleans for her father’s funeral only to discover it wasn’t Olivia Fontaine, her grandmother, who invited her but rather Adella, the woman who manages Saint Sans, the building Olivia owns and lives in, a repurposed church with three renters. Adella hopes the two estranged relatives will reconcile, but instead they are both angry with her, and Jillian leaves in rushed outrage just as the police arrive to inform Olivia that, after further inspection, they’ve realized her son, basically a homeless man, was murdered. Jillian returns home to San Francisco and her problematic relationship with Vince, the wealthy and domineering owner of the restaurant where she works. Believing he’s about to throw her out of the apartment they share, she leaves town with barely the clothes on her back and $1,000 she takes from him—since he controls her finances and she has no money. With nowhere else safe to go, she heads back to New Orleans and turns up at Saint Sans. Adella convinces Olivia to let her stay for a week, a period of time which grows longer and longer, as Jillian and Olivia soften toward each other, Jillian settles in to her new life, and all the residents of Saint Sans grow closer together, especially when they have to confront a strange enemy who’s leaving malevolent tokens on the doorstep. Evangelist Moore moves into Christian fiction with an engaging storyline and occasionally great writing, though at times the overly simplistic “this is good, this is bad, righteous people get miracles” messages may make some readers pause, and the small, secondary historical storyline seems dropped in with little context and a jarring Job-like note.

A compelling, redemptive story.

Pub Date: Sept. 20, 2016

ISBN: 978-1-4694-1947-6

Page Count: 460

Publisher: Tyndale House

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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