An ambitious debut which captures the loneliness of the internet age in deft strokes in spite of a slightly confusing end.
Remy and Alicia’s relationship, founded on a shared fixation with Instagram-savvy hipster it girl Jen, enters strange new territory when Jen becomes a part of their off-screen lives.
Remy and Alicia are two 30-something restaurant servers trying to make it work in New York City. Their relationship is founded on their shared ennui, biting critiques of their peers, and obsessive interest in Jen, a social media savvy, globe-trotting former co-worker of Remy’s who is out of their league but never off their minds. Their obsession with Jen’s perfectly Instagrammable authenticity (gleaned from her social media feeds, which they compulsively scrutinize) oscillates between a kind of bitter hero worship and an increasingly involved sexual and lifestyle role-playing that casts Alicia as Alicia-as-Jen and Remy as a stranger, the gardener, even sometimes himself. When a chance encounter with the actual Jen at an Apple store results in an offhanded invitation to join her and her wealthy boyfriend, Horus, on a surfing weekend at Montauk, the already dotted lines between Remy’s and Alicia’s true selves and the selves they have crafted around their fantasy Jen become even more fragmented. This is particularly true for Alicia, whose self-image is significantly impacted by childhood trauma and whose social gymnastics among the pitch-perfect millennial hipster tropes she encounters at Montauk are as painful as they are funny. Back home in the city, Alicia enters a deepening spiral of Jen-obsession, but just when Morgan seems set on a deep dive into Alicia’s vulnerability to society’s constant pressure to display the most authentic version of an invented self, the plot takes a dramatic twist. The last third of the book is embroiled in the kind of gore usually reserved for less introspective literary genres, with sometimes mixed results.
An ambitious debut which captures the loneliness of the internet age in deft strokes in spite of a slightly confusing end.Pub Date: July 13, 2021
ISBN: 978-0-316-70426-7
Page Count: 336
Publisher: Little, Brown
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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