This unsparing version of the modern American tragedy is more fun to read than can possibly be right.
A family of South Florida transplants has a shining moment of promise, then the hard times start rolling in.
As the book opens, C.C. Borkoski is at an engagement party being thrown by her wealthy future in-laws, the Wellmans, whose Connecticut home commands a view of Long Island Sound. She is surprised to learn that her mother has been invited—because the guest list was so “lopsided,” her fiance explains. “Your side was basically blank.” “There's a reason for that!” says C.C., shocked to learn her mother even has email, much less that she has RSVP’d that she will be attending. The remainder of this novel will explain what happened to C.C.’s family, people who live in a very different America than the Wellmans. From the engagement party, we flash back to C.C. at 12, at a Florida rest stop eating sliced orange samples. Since her family's used car lot and home in Ohio burned to the ground, they are on their way to a new life. And as it turns out, “Loxahatchee was the best life my childhood self could conceive of.” For a while. But while C.C. gets her first boyfriend and becomes a regional basketball phenom, her big sister, Lorraine, turns into someone she can’t even recognize, and let’s not even start on what happens to her parents or to C.C.’s marriage into the upper crust. The same evocative language and crackerjack storytelling Raymer displayed in her debut memoir, Lay the Favorite (2010), make her debut fiction a richly entertaining read even as the betrayals and misfortunes come raining down. The mythic level of the difficulties that confront the humans in the book are highlighted by C.C.’s job as a marketing writer at a Florida zoo full of animals in desperate straits due to changes in the environment—a homeless shelter, as she thinks of it. As Raymer’s readers, we are like the manatees in the last image of the novel, having a fine old time playing in the warm-water discharge of a power plant at sunset.
This unsparing version of the modern American tragedy is more fun to read than can possibly be right.Pub Date: June 27, 2023
ISBN: 9780812993165
Page Count: 240
Publisher: Random House
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Elegant and unsettling, this novel evades the expected at every turn.
A web of friendship among millennial Black women stretches across several decades.
Desiree, Nakia, January, and Monique grew up together. They haven’t all known each other since childhood, but they came into adulthood together, navigating the tumult of their 20s, 30s, and 40s. At the opening of Flournoy’s novel—the first since her acclaimed debut, The Turner House (2015)—Desiree is 22. The year is 2008 and she’s traveling to Zurich via Paris with her grandfather, who plans to die the next day through assisted suicide. Her grandfather is all the family she has; her mother is long dead, her father long absent, and her relationship with her older sister, Danielle, deeply strained. She feels herself adrift and without prospects, but as it turns out, Desiree’s destiny is, in large part, as the anchor of her friend group. Flournoy toggles back and forth in time and perspective across the women, a structure that makes the book feel more like linked stories than a novel with a typical narrative throughline. This enables each woman to be deeply, prismatically rendered: Monique is a librarian-turned-influencer; January is a melancholic mother of two sons; Nakia is a lesbian restaurateur. (Desiree’s sister, Danielle, receives a narrative interlude, as well.) They endure hookups and breakups, Covid-19, financial woes, careers, caregiving—“the wilderness of adult life.” It’s easy to marvel at Flournoy’s precision with character, the heart of the novel, but it’s the book’s hard look at social and political realities that give it its teeth. By setting select scenes—including the novel’s shattering climax—in the near future, Flournoy seems to warn that the violence and oppression characteristic of 21st-century American life can be mitigated only by community, care, and the families we choose.
Elegant and unsettling, this novel evades the expected at every turn.Pub Date: Sept. 16, 2025
ISBN: 9780063318779
Page Count: 304
Publisher: Mariner Books
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
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