Partly filling the historical gap between their New Americans: Colonial Times, 1620-1689 (1998) and A More Perfect Union: The Story of Our Constitution (1987), the Maestros examine King William’s War, Queen Anne’s War, the War of Jenkins’ Ear, and other half-forgotten conflicts usually lumped together as the French and Indian Wars. Concluding that these wars were fought for economic control of North America and paralleled the first stirrings of a sense of national unity, the authors trace the growth of trade routes and other lines of communication. They also pay close attention to the wars’ consistently lamentable effects on the Native American groups allied with either the French or the British forces. Though much of the fighting and strategic maneuvering took place in what is now Canada, the Maestros take their most widely angled views of territories that became part of the United States. With plenty of precisely drafted battle scenes, street plans, portraits, maps, and landscapes, plus a spread of additional information on topics as diverse as colonial money and the Iroquois League, they bring a formative era in our country’s history into sharp focus for young readers. (index) (Nonfiction. 9-11)
Pub Date: Aug. 31, 2000
ISBN: 0-688-13450-5
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
Arnold and Hewett (Stories in Stone, 1996, etc.) record the harrowing rescue of a baby gray whale who had become separated from her mother off the coast of California. She was discovered on January 10, 1997, exhausted, hungry, and near death. J.J. was 14 feet long when she was brought to SeaWorld as a young calf. Gaining 900 pounds in the first month, she had to be moved to a new home by crane. Her caretakers started planning on giving J.J. skills so that she could be released and survive on her own in the ocean. Divers put her food on the bottom of the pool, each day in a different location, so she could practice searching. Arnold is relaxed in her telling, allowing the already dramatic events to unfold naturally: “Everyone cheered as J.J. took a big breath, dove deep, and disappeared. The young whale was on her own.” Full-color photos capture the excitement of J.J.’s release, but also the hard work of preparing her for her return to the sea. (Picture book/nonfiction. 5-9)
Pub Date: March 1, 1999
ISBN: 0-8167-4961-2
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PLB 0-06-027821-8 For Aliki (Marianthe’s Story, 1998, etc.), the story of the Globe Theatre is a tale of two men: Shakespeare, who made it famous, and Sam Wanamaker, the driving force behind its modern rebuilding. Decorating margins with verbal and floral garlands, Aliki creates a cascade of landscapes, crowd scenes, diminutive portraits, and sequential views, all done with her trademark warmth and delicacy of line, allowing viewers to glimpse Elizabethan life and theater, historical sites that still stand, and the raising of the new Globe near the ashes of the old. She finishes with a play list, and a generous helping of Shakespearean coinages. Though the level of information doesn’t reach that of Diane Stanley’s Bard of Avon (1992), this makes a serviceable introduction to Shakespeare’s times while creating a link between those times and the present; further tempt young readers for whom the play’s the thing with Marcia Williams’s Tales From Shakespeare (1998). (Picture book/nonfiction. 7-10)
Pub Date: May 31, 1999
ISBN: 0-06-027820-X
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
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