THINGS TO COME AND GO

This rediscovered collection feels as clear and colorful as if it had been written today.

Three novellas worth resurrecting.

In recent years, A Public Space Books has reintroduced the works of the undeservedly overlooked Howland (1937-2017), publishing a collection of her stories, Calm Sea and Prosperous Voyage, and W-3, a 1974 memoir of her time in a psychiatric hospital after a suicide attempt. Now the imprint has republished, with a new introduction by author Rumaan Alam, this slim volume of three novellas, which Howland originally released in 1983—the year before she won a MacArthur Fellowship and then, presumably overcome by the pressure of heightened expectations, stopped publishing. This is another unburied treasure, with Howland’s glimmering talent again on full display. Each story showcases the author’s intelligence, insightfulness, and incomparable eye for illuminating detail and ear for captivating dialogue as well as her ability to evoke a specific place and time (often gritty midcentury Chicago and its environs) and the emotional complexities of close relationships (family and otherwise). In Birds of a Feather, Howland’s young female narrator quietly comes of age amid the cacophony and oblique warmth of her father’s loud Jewish family, “the big brassy yak-yakking Abarbanels.” The Old Wheeze focuses on the events of a single snowy Chicago night following a divorced young mother’s date with an admired older man and captures the differing perspectives of the mother, her elderly babysitter, her nursery-school-age son, and her lover. In the third and final novella, The Life You Gave Me, a daughter reckons with her complicated relationship with her father as she is summoned to the hospital to visit him on two separate occasions. “My father’s size and strength were more than physical. Mental, temperamental. Character traits. Mind Over Matter was his motto….To see him brought down, laid low, damaged, hurting, like any other injured creature—was to see him disgraced,” Howland writes. “All of which is not to say that my father was ever a simple man. Only that he didn’t know his own strength. But I did.” Howland, too, may not have understood the strength of her own writing. But now, thanks to the reissuing of these and other stories, we do.

This rediscovered collection feels as clear and colorful as if it had been written today.

Pub Date: May 10, 2022

ISBN: 978-0-9982675-6-2

Page Count: 160

Publisher: A Public Space Books

Review Posted Online: April 11, 2022

Kirkus Reviews Issue: May 1, 2022

THE VASTER WILDS

The writing is inspired, the imaginative power near mystic, but some will wish for more plot.

This historical fever dream of a novel follows the flight of a servant girl through the Colonial American wilderness, red in tooth and claw.

As in her last novel, Matrix (2021), Groff’s imaginative journey into a distant time and place is powered by a thrumming engine of language and rhythm. “She had chosen to flee, and in so choosing, she had left behind her everything she had, her roof, her home, her country, her language, the only family she had ever known, the child Bess, who had been born into her care when she was herself a small child of four years or so, her innocence, her understanding of who she was, her dreams of who she might one day be if only she could survive this starving time." Those onrushing sentences will follow the girl, “sixteen or seventeen or perhaps eighteen years of age,” through the wilderness surrounding the desperate colony, driven by famine and plague into barbarism, through the territory of “the powhatan and pamunkey” to what she hopes will be “the settlements of frenchmen, canada,” a place she once saw pointed out on a map. The focus is on the terrors of survival, the exigencies of starvation, the challenges of locomotion, the miseries of a body wounded, infected, and pushed beyond its limit. What plot there is centers on learning the reason for her flight and how it will end, but the book must be read primarily for its sentences and the light it shines on the place of humans in the order of the world. Whether she is eating baby birds and stealing the fluff from the mother’s nest to line her boots, having a little tea party with her meager trove of possessions, temporarily living inside a tree trunk that comes with a pantry full of grubs (spiders prove less tasty), or finally coming to rest in a way neither she nor we can foresee, immersion in the girl’s experience provides a virtual vacation from civilization that readers may find deeply satisfying.

The writing is inspired, the imaginative power near mystic, but some will wish for more plot.

Pub Date: Sept. 12, 2023

ISBN: 9780593418390

Page Count: 272

Publisher: Riverhead

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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