Unusual and unabashedly charming.
Rifka accidentally finds herself onstage in a Yiddish theater production and speaks her first lines as an actress: “Piff-Paff! Not to worry.”
The Yiddish theater was a vibrant part of immigrant life in New York in the first part of the 20th century. Rifka’s parents are actors who introduce her to the magical world of that theater. She is especially impressed with the way in which her parents can take on the personae of the characters they play, with just a bit of makeup, some props and costumes, and changes in body language. The surrounding elements of the city are also part of the fun. They travel on the subway with its noise and diversity. They eat at the Automat, putting in their nickels and taking out the food. Perlov makes it all come alive, employing a conversational syntax that speaks directly to readers. It is a memoir told with love and nostalgia, for it is her own story, told from a distance of nine decades. Kawa’s illustrations are as magical as any theater experience. She employs a variety of media to turn real places and events into fantasy landscapes from several perspectives, in dreamlike images that are somewhat reminiscent of Chagall. Look closely and there are tiny shapes and designs floating through the larger pictures.
Unusual and unabashedly charming. (afterword) (Picture book. 5-9)Pub Date: Sept. 1, 2013
ISBN: 978-0-7613-8127-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 15, 2013
Kirkus Reviews Issue: July 1, 2013
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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