Shamieh refuses easy moral lessons, aiming for complexity and nuance with a light, voicey touch.
Multiple narratives track three Palestinian women from the Middle East to America and back again.
Arabella Hajjar is a New York theater director specializing in hip adaptations of Shakespeare and making a mess of her love life; she refuses to admit to longstanding feelings for her best male friend, who happens to be Jewish. Her Teta Zoya wants to set Arabella up with Aziz Habeeb, a doctor whose grandfather came from Zoya’s childhood village of Ramallah. Harvard-educated and hoping for bigger things in her directing career, Arabella is frustrated by her perception that people are more interested in ethnicity than art: “If you asked either to describe themselves in a word,” Arabella muses of two acquaintances, “they would have the same answer. Palestinian. Mine would be director.” So, when she’s given the opportunity to return to Palestine to direct a gender-swapped Hamlet, Arabella is apprehensive. Will her devotion to her work carry her through the complex political and emotional terrain of her return to Ramallah? And will Arabella finally open herself up to more than just theater? Playwright Shamieh, in the novel’s first part, toggles back and forth between Arabella in 2012 and Zoya, beginning just before the 1948 Arab-Israeli war and the family’s subsequent immigration to Michigan. Part Two interweaves Arabella’s arrival back in Palestine with her mother Naya’s childhood in 1970s Detroit and her adult life in California. Shamieh’s tone—present throughout, but strongest in Arabella’s sections—is confiding and chatty, a Carrie Bradshaw if Carrie had to worry about getting detained at Ben Gurion Airport by Israeli guards for eight hours. But this book isn’t fluffy: Its ethically complex characters carry heavy weights.
Shamieh refuses easy moral lessons, aiming for complexity and nuance with a light, voicey touch.Pub Date: Jan. 28, 2025
ISBN: 9781668046548
Page Count: 336
Publisher: Avid Reader Press
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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