A nice hybrid, combining the suspense of a good thriller with the atmosphere and texture of a family epic.
Mukherjee (Leave It to Me, 1997, etc.) offers a striking portrait of three sisters living in two worlds: the traditional Brahmin society of upper-class Calcutta, where they were born, and the secular world of the modern West they moved to as adults.
Tara, who narrates, left Calcutta happily enough as a young woman and has rarely looked back. The youngest of three daughters of a Brahmin engineer and landowner, she grew up among the Bengali elite in an atmosphere that wavered between Hindu traditionalism and secular technocracy. Well-educated, she was married to an Indian computer designer who moved her to California and got rich in Silicon Valley. Tara became Americanized enough to divorce her husband after a few years and move to San Francisco with her son. There, however, she found herself brought sharply back to Calcutta when a young man named Chris Dey showed up at her door one day claiming to be the illegitimate son of her older sister Padma and bearing a letter of introduction from Ron Dey (a childhood friend of Padma’s), who claimed to be the boy’s father. But Padma, now a New York clothing designer, knows nothing of the boy, while Ron Dey, back in India, admits that the boy is his, but not by Padma—and denies ever sending him or a letter. The mystery deepens when Tara goes to the police, who ascertain that the boy isn’t really Chris Dey but an imposter using his passport. Meanwhile, Tara finds she’s being stalked by a Bengali gangster, and her ex-husband becomes implicated in a cyberterrorism threat by Indian hackers who say they’ll unleash a supervirus that could disable every hard-drive in the US. Forget not going home again—sometimes you can’t get away in the first place, even halfway across the globe.
A nice hybrid, combining the suspense of a good thriller with the atmosphere and texture of a family epic.Pub Date: March 31, 2002
ISBN: 0-7868-6598-9
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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